A work in constant progress (and occasional regress).
Release Date:
May 10, 2018
Original Title:
6 Dynamic Laws for Success (in Life, Love & Money)
Genres:
Comedy | Crime
Production Companies:
Bruneau Pictures
LovelyMachine
MPS International Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 92
Upon discovering a coded message in the self help book "6 Dynamic Laws for Success (In Life, Love & Money)" which purportedly reveals the location of $2.4 million missing from a bank robbery gone bad, a demoralized ex-used car salesman sets out on a quest to find the money and remake himself in the process. However, he soon discovers he’s not the only one after the cash, and that the road to riches and self-improvement is littered with irate ex-wives, litigious fiancés, household calamities, accidental murders, and love at first sight.
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Assistant Camera:
Lila Streicher
Associate Producer:
Josie Pusl
Dick Garlish
Kylie Macentee
Camera Operator:
Matthew Wade
Casting:
Annie Bulow
Catering:
Leslie Lopez
Cinematography:
Gregory Bayne
Costume Designer:
Sara Lynch
Director:
Gregory Bayne
Editor:
Gregory Bayne
Executive Producer:
Daniel Frandson
Kristina Frandson
Dan Frandson
Patricia Frandson
First Assistant Director:
Celeste Matika
Gaffer:
Chaz Gentry
Grip:
Sean McNearney
Hair Designer:
Andrea Trammell
Makeup & Hair Assistant:
Leslie Lopez
Makeup Designer:
Andrea Trammell
Music:
Ryan bayne
Producer:
Christian Lybrook
Production Coordinator:
Kylie Macentee
Josie Pusl
Production Designer:
Sara Lynch
Production Sound Mixer:
Mark Doubleday
Second Assistant Director:
Annie Bulow
Sound Designer:
Mark Doubleday
Special Props:
Matthew Wade
Writer:
Gregory Bayne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.