A work in constant progress (and occasional regress).
Release Date:
April 1, 2000
Original Title:
침묵의 소리
Genres:
Documentary
Production Companies:
Center for Asian American Media Production
Ratings / Certifications:
N/A
Runtime: 57
A powerful and emotional documentary about Korean women forced into sexual servitude by the Japanese Imperial Army during World War II, Silence Broken dramatically combines the testimony of former comfort women who demand justice for the "crimes against humanity" committed against them, along with contravening interviews of Japanese soldiers, recruiters and contemporary scholars who deny the existence of comfort women or claim that these victims "did this for money." In the film, these women demand an official apology, admission of moral as well as legal guilt, and compenstion from the Japanese government. They want human dignity and justice restored to them. The individual testimonies in Silence Broken, combined with unusual archival footage and dramatized images, shatter the half-century of silence and create a collective story filled with soulful sorrow and amazing resilience of the human spirit.
Additional Editing:
Poo Poo Koh
Michael Lim
Additional Photography:
Willie Dawkins
Director:
Dai Sil Kim-Gibson
Director of Photography:
Charles Burnett
Editor:
Charles Burnett
Music Consultant:
Noh Dong-sun
Musician:
Scott Yoo
Original Music Composer:
Donald Sur
Post Production Supervisor:
Michael Lim
Sound Editor:
Jon Oh
Title Designer:
Mise Moon Han
Inshil Sohn Moon
Writer:
Dai Sil Kim-Gibson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.