A work in constant progress (and occasional regress).
Release Date:
February 6, 2020
Original Title:
Downhill
Alternate Titles:
Downhill
Force Majeure
Jim Rash s Downhill
婚姻大崩壞
Genres:
Comedy | Drama
Production Companies:
Filmhaus Films
Likely Story
Searchlight Pictures
TSG Entertainment
Production Countries:
Austria | United States of America
Ratings / Certifications:
AT: 12 BR: 16 DE: 6 GB: 15 HU: 18 IE: 15 NL: 9 PL: 16 RO: 12 SE: 7 SG: NC16 SK: 15 TW: 保護級 US: R
Runtime: 87
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
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"A" Camera Operator:
Vince McGahon
"B" Camera Operator:
Thomas Dirnhofer
ADR Mixer:
Jason Oliver
Jeffrey Roy
Matt Hovland
Additional Editor:
Keith Brachmann
Art Department Assistant:
Thomas Kloss Jr.
Gabriela Atkinson-Schuster
Art Direction:
Florian Reichmann
Assistant Art Director:
Tanja Erdmann
Assistant Hairstylist:
Tünde Kiss-Benke
Assistant Location Manager:
Lisa Sellner
Assistant Makeup Artist:
Karoline Strobl
Assistant Production Coordinator:
Cara Loftus
Valentina König
Associate Producer:
John O'Grady
T.K. Knowles
Gregory Zuk
Best Boy Electric:
Thomas Fromel
Best Boy Grip:
Paul Kölbl
Boom Operator:
Matt Pendle
Casting:
Jeanne McCarthy
Nicole Abellera Hallman
Casting Assistant:
Katie Lantz
Co-Producer:
Jo Homewood
Conductor:
Viktor Orri Árnason
Construction Coordinator:
Jacob Schaefer
Costume Designer:
Kathleen Felix-Hager
Costume Supervisor:
Zizi Bohrer-Lehner
Costumer:
Esther Naomi Knoll
Magdalena Fuchs
Marlies Mayringer
Digital Imaging Technician:
Anthony Bagley
Director of Photography:
Danny Cohen
Dolly Grip:
Florian Schabel
Drone Cinematographer:
René Kiefer
Drone Pilot:
Thomas Kreuzberger
Editor:
Pamela Martin
David Rennie
Executive Producer:
Erik Hemmendorff
Ruben Östlund
First Assistant "B" Camera:
Dieter Knestel
First Assistant Camera:
Seán McDermott
First Assistant Director:
Julie A. Bloom
First Assistant Editor:
Staci Pontius
Foley Artist:
Adam DeCoster
Foley Editor:
Nick Neutra
Foley Mixer:
Nicholas Feil
Gaffer:
Jakob Ballinger
Hair Department Head:
Orla Carrol
Key Costumer:
Elisabeth Nagl
Key Grip:
Emmanuel Aubry
Location Manager:
Ernst Vogel
Makeup Department Head:
Lynn Johnson
Music Editor:
Dan DiPrima
Jon Mooney
Original Film Writer:
Ruben Östlund
Original Music Composer:
Volker Bertelmann
Post Production Supervisor:
J.M. Logan
Producer:
Anthony Bregman
Stefanie Azpiazu
Julia Louis-Dreyfus
Production Accountant:
Billi Webster
Andrea Nunner
Production Coordinator:
Lorraine Hewson
Production Design:
David Warren
Production Secretary:
Karen Byrne
Production Sound Mixer:
Robert Flanagan
Property Master:
Johannes Slapa
Rigging Gaffer:
Manuel Nevosad
Screenplay:
Jesse Armstrong
Nat Faxon
Jim Rash
Script Supervisor:
Dave Moran
Second Assistant "B" Camera:
Flo Gasser
Second Assistant Camera:
Anastasia Romanchuka
Second Assistant Director:
Orla King
Second Unit Director of Photography:
Thomas Dirnhofer
Set Decoration:
Johnny Byrne
Set Dresser:
Franz Xavier Spindler
Sound Effects Editor:
Sebastian Sheehan Visconti
Sound Re-Recording Mixer:
John Ross
Gabriel J. Serrano
Special Effects Coordinator:
Tissi Brandhofer
Steadicam Operator:
Vince McGahon
Still Photographer:
Jaap Buitendijk
Storyboard Artist:
Ian McCaffrey
Studio Teacher:
Kevin Moll
Stunt Coordinator:
Giedrius Nagys
Stunt Double:
Michael Altman
Mike Möller
Aoife Byrne
Stunts:
Uli Richter
Martin White
Eimear O'Grady
Supervising Sound Editor:
Perry Robertson
Kevin Zimmerman
Third Assistant Director:
Stephen Rigney
Transportation Captain:
Paul Cullen
Unit Manager:
Matthias Mayer
Unit Production Manager:
Niamh Gale
Unit Publicist:
Emma Davie
Visual Effects Supervisor:
Brooke Lyndon-Stanford
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.