A work in constant progress (and occasional regress).
Release Date:
March 31, 1964
Original Title:
Koniec naszego świata
Genres:
Drama | War
Production Companies:
Zespół Filmowy "Start"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 138
Henryk Matula has flashbacks to being imprisoned in Auschwitz after he gives a lift to an American tourist who wants to see it
Assistant Camera:
Wiesław Kielar
Bronisław Ławniczak
Aleksy Krywsza
Cezary Łagiewski
Jerzy Bialek
Assistant Director:
Edmund Głuchowski
Sylwester Szyszko
Stanislawa Skorupianka
Aleksandra Korewa
Assistant Editor:
Aurelia Rut
Assistant Makeup Artist:
Alfreda Bączyk
Zdzislawa Namyslaw
Jan Płażewski
Assistant Production Design:
Tatiana Manżett
Albin Wejman
Tadeusz Myszorek
Assistant Production Manager:
Michał Sosiński
Mieczysław Adler
Tadeusz Baljon
Zdzislaw Mrozowicz
Camera Operator:
Mikołaj Sprudin
Conductor:
Stanisław Wisłocki
Costume Assistant:
Maria Karmolińska
Costume Design:
Marian Kołodziej
Director:
Wanda Jakubowska
Director of Photography:
Kazimierz Wawrzyniak
Editor:
Lidia Pstrokońska
First Assistant Director:
Janusz Weychert
First Assistant Makeup Artist:
Mieczysław Pośmiechowicz
Makeup Artist:
Irena Kosecka
Music:
Kazimierz Serocki
Novel:
Tadeusz Holuj
Production Design:
Bolesław Kamykowski
Production Manager:
Stanisław Adler
Screenplay:
Wanda Jakubowska
Set Decoration:
Marek Iwaszkiewicz
Sound:
Wiesław Ćwikliński
Sound Assistant:
Hieronim Langner
Jerzy Szczecinski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.