A work in constant progress (and occasional regress).
Release Date:
March 21, 2019
Original Title:
Cine Holliúdy 2: A Chibata Sideral
Genres:
Comedy
Production Companies:
Agência Nacional do Cinema - ANCINE
Atc Entretenimentos
Banco Regional de Desenvolvimento do Extremo Sul
Fundo Setorial do Audiovisual
Glaz Entretenimento
Globo Filmes
Paramount Pictures Brasil
Telecine
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 101
With the arrival of the VCR in people's homes, Francisgleydisson is forced to close his beloved Cine Holliudy. This jeopardizes your son's college tuition, now 18 years old. To salvage his situation, he decides to produce an alien movie using the ugliest people in the local population.
Assistant Makeup Artist:
Mima Mizukami
Boom Operator:
Yures Viana
Camera Operator:
Jarrod Bryant
Maoma Faria
Digital Compositor:
Rafael Medrado
Director:
Halder Gomes
Director of Photography:
Carina Sanginitto
Editor:
Helgi Thor
First Assistant Director:
Mikaela Feitosa
Foley Artist:
Érico Paiva
Producer:
Mayra Lucas
Halder Gomes
Production Design:
Juliana Ribeiro
Sound Editor:
Érico Paiva
Sound Re-Recording Mixer:
Érico Paiva
Steadicam Operator:
Maoma Faria
Still Photographer:
Jarrod Bryant
Visual Effects:
Márcio Ramos
Jorge Uchoa
Visual Effects Supervisor:
Jorge Uchoa
Márcio Ramos
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.