A work in constant progress (and occasional regress).
Release Date:
April 1, 2000
Original Title:
Power Into Art: The Battle for the New Tate Gallery
Genres:
Documentary
Production Companies:
Channel 4 Television
Ratings / Certifications:
GB: U
Runtime: 188
In May 1994, the Tate Gallery in London announced that it was going to create a huge modern art gallery in London. Instead of commissioning a new building from one of London's "star" architects, they made the controversial decision to award the contract to a small Swiss firm of architects, and convert a disused power station. Karl Sabbagh follows the team from conception to opening as they wrestle with decisions about design, construction and art as well as people and internal politics. From schedule delays to a faulty staircase; asbestos in the roof to resigning construction managers, Sabbagh tells the story of the process behind a rare success in public design and architecture.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.