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Monster Strike the Movie: Sora no Kanata (2018) [N/A]

Release Date:
October 5, 2018

Original Title:
モンスターストライク THE MOVIE ソラノカナタ

Alternate Titles:
怪物弹珠 THE MOVIE 空之彼方

Genres:
Animation

Production Companies:
Orange

Production Countries:
Japan

Ratings / Certifications:
JP: G 

Runtime: 97

Overview from TheMovieDB

13 years ago, suddenly one part of Tokyo broke off and began to float in the sky. Tokyo was separated into "Old Tokyo" as the part that was floating in the air, and "New Tokyo," the part that stayed on the ground. Communication and interaction between the two Tokyos was impossible, and years passed. One day, a young girl perceives that Old Tokyo will fall back down to the ground, and she sets out on the perilous path from from Old Tokyo to New Tokyo to save the citizens from the impending crisis.

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Additional information:

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Performers

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Production

Animation Director:
Nao Otsu

Art Direction:
Hisako Akagi

CGI Director:
Eiji Inomoto

Character Designer:
Tatsuro Iwamoto
Yuichi Tanaka

Director:
Hiroshi Nishikiori

Director of Photography:
Tadaaki Yamazaki

Editor:
Shigeru Nishiyama

Foley Artist:
Masafumi Watanabe

Original Music Composer:
Masaru Yokoyama

Screenplay:
Takayo Ikami

Storyboard Artist:
Kenji Muto

Theme Song Performance:
Kyary Pamyu Pamyu

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.