A work in constant progress (and occasional regress).
Release Date:
July 12, 2010
Original Title:
The 7th Dimension
Alternate Titles:
Beacon 77
Beacon77
Code 77
Decoder - Die 7. Dimension
Genres:
Horror | Science Fiction | Thriller
Production Companies:
Revolt Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16
Runtime: 95
Two young women arrive at a curious penthouse apartment, led by one's crush on her tutor. However, her love interest doesn't live alone. He's part of a trio of computer hackers about to embark on the ultimate job on the world's most mysterious mainframe. Whilst doing so, they unlock more than they bargain for with supernatural and ultimately fatal results. Can this seemingly insignificant chain of events, which have thrown this group together, be construed as fate? Can the beacon provide a signal of hope or is it a web of manipulation, paranoia and ultimately... murder?
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Monica Black
Assistant Camera:
Natalie Theobald
Boom Operator:
Robin Gerrard
Camera Operator:
John Attwell
Costume Assistant:
Francesca Ackerson
Costume Design:
Rebecca Gore
Digital Imaging Technician:
Luke Knight
Director:
Brad Watson
Director of Photography:
Tim Wooster
Gaffer:
Wayne King
Makeup Artist:
Chloe Fletcher
My Alehammar
Pippa Woods
Makeup Supervisor:
Fiona Rogers
Original Music Composer:
Marc Teitler
Producer:
Brad Watson
Production Accountant:
Janice de la Mare
Production Design:
Kay Brown
Set Designer:
Monica Black
Kay Brown
Sound Designer:
Kieron Wolfson
Sound Recordist:
Henry Milliner
Storyboard Artist:
Darren Borrett
Stunt Coordinator:
Dean Forster
Supervising Sound Editor:
Richard Kondal
Writer:
Debbie Moon
Brad Watson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.