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A Midnight Kiss (2018) [N/A]

Release Date:
December 29, 2018

Original Title:
A Midnight Kiss

Alternate Titles:
Focus on Love

Genres:
Romance | TV Movie

Production Companies:
Hallmark Media

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 90

Overview from TheMovieDB

With only one week to prepare, Lisa Patterson and her family of party planners are given the biggest job in their company’s history: a New Year’s Eve party for tech entrepreneur Megan Clark. But when her brother breaks his leg and her parents head off on a planned vacation, Lisa must reluctantly enlist the help of her brother’s visiting college buddy, David Campos, to help her pull off the event which just so happens to fall on her favorite day of the year. But what Lisa didn’t plan on was falling in love in the process.

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Trailer

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Performers

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Production

"A" Camera Operator:
Kevin Hall

"B" Camera Operator:
Chris Oben

Art Direction:
Gillian Van Santen

Assistant Costume Designer:
Yumi Mizuno

Assistant Editor:
Taylor Frey

Assistant Location Manager:
Wayne Toews

Assistant Makeup Artist:
Mary Renvall
Tia Martin

Assistant Production Coordinator:
Yaël Carnet
Leigh-Ann Goertzen

Assistant Property Master:
Michelle Kabatoff

Assistant Set Decoration:
Lou Johnson

Assistant Sound Editor:
Sean Szutka

Best Boy Electric:
Patrick Shaw

Best Boy Grip:
Bryceton Cote

Boom Operator:
Tony Poulsen

Casting:
Jackie Lind

Casting Assistant:
Jana Jacques Lind
Andrea Ware

Colorist:
Lorne Wright

Costume Designer:
Ashley Isaacs

Costume Set Supervisor:
Giselle Bourget Morales

Craft Service:
Lisa Ahlers

Dialogue Editor:
Aaron Olson

Digital Imaging Technician:
Alex Lutzmann

Director:
J.B. Sugar

Director of Photography:
Christopher Charles Kempinski

Dolly Grip:
Maxwell Sloan

Editor:
Jason Pielak

Executive Producer:
Ivan Hayden
Kim Arnott

First Assistant "A" Camera:
Kyle Vollstaedt

First Assistant "B" Camera:
Alexander Torres
Cale Ashe

First Assistant Director:
Jason Rody

First Assistant Editor:
Saeed Vahidi

Foley Artist:
Don Harrison
Ian Mackie

Foley Recording Engineer:
Rick Senechal

Gaffer:
Jesse D.E. Young

Graphic Designer:
Iain Lindsay

Grip:
Joel Sutherland
Blake Mattson
Steven Maki

Key Grip:
Carey Feehan

Key Hair Stylist:
Shelly Jensen

Key Makeup Artist:
Joanne Kinchella

Location Manager:
Dominic Main
Steve Hearn

Music:
Chris Ainscough

Music Coordinator:
Francesca Cammarata

Music Supervisor:
Valerie Biggin

Online Editor:
Lorne Wright

Payroll Accountant:
Megan Turnbull

Post Production Coordinator:
Saskia Werner

Producer:
John Prince

Production Accountant:
Kathy Eyre Candiago

Production Coordinator:
Jim McKeown

Production Design:
Paul McCulloch

Production Manager:
John Prince

Property Master:
Brittany Towson

Props:
Courtney Allinson

Script Supervisor:
Brittney Goetz

Second Assistant "A" Camera:
Christopher Merrell

Second Assistant "B" Camera:
Cale Ashe

Second Assistant Director:
Lee Karlovic

Security Coordinator:
Sean Hanlin

Set Decorating Coordinator:
Stephanie Pink

Set Decoration:
Gail Luining

Set Dresser:
Ariana Chaparro Molares
Samantha Gauthier
Sunny Mohajer-Taleghani

Sound Designer:
Jeff Jackman

Sound Mixer:
James Schoening

Sound Re-Recording Mixer:
Greg Stewart
Angelo Nicoloyannis

Special Effects Coordinator:
Kyle T. Moore

Still Photographer:
Bettina Strauss

Story:
Seth Grossman

Stunt Coordinator:
Chad Sayn

Supervising Producer:
Dawn Knight

Teleplay:
Michael G. Larkin
Seth Grossman

Third Assistant Director:
Kendall Gawryluk

Transportation Captain:
Derek Keillor

Transportation Coordinator:
Dean Fitzpatrick
Kam Dhesi

Truck Costumer:
Bianca Kristensen

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.