A work in constant progress (and occasional regress).
Release Date:
May 1, 2018
Original Title:
Archi-faux
Alternate Titles:
Archi-faux : vraies villes et faux monuments
Archi-vrai
Archifaux
El imperio de lo falso: clones de monumentos famosos
Fake Empires: The Architecture of Imitation
Klony słynnych zabytków: królestwo fałszu
Kopioiden merkillinen maailma
The Real Thing VR
The Real Thing: Real Life in a Copycat World
Genres:
Documentary | TV Movie
Production Companies:
ARTE
Artline Films
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 55
A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.
Additional Editing:
Emanuela Macchniz
Antoine Favre
Additional Photography:
Alessandro D’Emilia
Administration:
Claude Roy
Laura Cavaciutti
Assistant Editor:
Robin Gaussé
Etienne Pintelon
Maëlle Henry
Color Grading:
Florian Geiser
Director:
Benoît Felici
Director of Photography:
Bastian Esser
Editor:
Sophie Brunet
Executive Producer:
Benjamin Landsberger
Graphic Designer:
Francesco Fioretto
Original Music Composer:
Pablo Pico
Producer:
Victoire Buff
Fabrice Puchault
Olivier Mille
Production Assistant:
Judith Matheron
Production Manager:
Philipp Griess
Production Supervisor:
David Borenstein
Li Xiaobin
Avishek Ghosh
Sound Designer:
Philippe Gozlan
Sound Editor:
Philippe Gozlan
Sound Mixer:
Julien Baron
Roberto Fondriest
Stefano Bernardi
Sound Recordist:
Benjamin Vossler
Writer:
Benoît Felici
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.