A work in constant progress (and occasional regress).
Release Date:
December 20, 2024
Original Title:
The Brutalist
Alternate Titles:
El Brutalista
Le Brutaliste
Բռուտալիստը
Genres:
Drama
Production Companies:
Andrew Lauren Productions
Brookstreet Pictures
Carte Blanche
Intake Films
Kaplan Morrison
Lipsync Productions
Meyohas Studio
Pierce Capital Entertainment
Richmond Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AR: +16 AT: 14 AU: MA 15+ BR: 18 CA: 18A CH: 16 CL: 14 DE: 16 DK: 11 ES: 16 FR: 16 GB: 18 HK: III HU: 18 IE: 16 IL: 14 IN: A IT: 6+ JP: R15+ KR: 19 LT: N-16 LV: 16+ MX: C NL: 16 NO: 15 NZ: R16 PH: R-16 PR: R PT: M/16 RO: 15 SE: 11 SG: R21 SK: 18 TH: 18 TW: 12+ UA: 18+ US: R VI: R ZA: 16
Runtime: 215
When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client.
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"B" Camera Operator:
Ádám Fillenz
ADR Recordist:
Roisin King
Additional Editor:
Ilka Janka Nagy
Additional Photography:
André Chemetoff
Art Direction:
Csenge Jóvári
Virág Tyekvicska
Sári Weichinger
Assistant Art Director:
Judit Juhász
Assistant Costume Designer:
Emma Kate Wood
Sára Szalai
Assistant Production Manager:
Marianna Tusják
Assistant Set Decoration:
Krisztina D. Nagy
Associate Producer:
Alex Goldberger
Joseph King Salwen
Maddie Browning
Boom Operator:
Áron Havasi
Camera Operator:
Máté Herbai
Camera Trainee:
Ádám Sütö
Csepregi Ákos
Casting:
Kristina Erdely
Casting Coordinator:
Erik Gyercán
Veronika Gál
Daniel Washington
Choreographer:
András Angyal
Co-Executive Producer:
Yuchuan Cao
Jesse Ozeri
Co-Producer:
Saskia Gigi Duff
Viktória Petrányi
Colorist:
Máté Ternyik
Costume Design:
Kate Forbes
Costume Supervisor:
Fanni Dukát
Dailies Operator:
Milan Nagy
Dialogue Editor:
Steve Single
Director:
Brady Corbet
Director of Photography:
Lol Crawley
Dolly Grip:
Peter Horvath
Editor:
Dávid Jancsó
Electrician:
Bence Finok
Executive Producer:
Ron Curtis
Mark Gillespie
Jiarui Guo
Aaron Himmel
David Hinojosa
Joshua Horsfield
Pamela Koffler
Max Kondziolka
Mark Lampert
Oleg Nodelman
Michael Orcutt
Kelly Peck
Thomas Pierce
Klaudia Śmieja-Rostworowska
Carter Stanton
Kyle Stroud
Christine Vachon
Ruby Walden
Scott Weber
Mona Fastvold
First Assistant "C" Camera:
Péter Faludi
First Assistant Camera:
György Horváth
First Assistant Director:
Célie Valdenaire
István Kolos
First Assistant Sound Editor:
Sam Cousins
Foley Artist:
Dylan Burgess
Foley Mixer:
Steve Burgess
Gaffer:
Attila Dóczi
Graphic Designer:
Anna Korolovszky
Grip:
Gordon Garancsy
Hair Designer:
Gemma Hoff
Hair Supervisor:
Liz Ann Bowden
Hairdresser:
Nikolett Kerselits
In Memory Of:
Scott Walker
Key Grip:
Krisztián Demeter
Key Hair Stylist:
Judit Halász
Key Makeup Artist:
Adrienn Schön
Line Producer:
Annamária Ligosztájeva
Loader:
Ádám Wallner
Local Casting:
Beatrix Nemesházi
Makeup Artist:
Emese Mettler
Makeup Designer:
Gemma Hoff
Makeup Supervisor:
Liz Ann Bowden
Music Supervisor:
James A. Taylor
Original Music Composer:
Daniel Blumberg
Painter:
Károly 'Kása' Papp
Post Production Coordinator:
Éva Haraszin
Post Production Supervisor:
Hashim Alsaraf
Producer:
Nick Gordon
D.J. Gugenheim
Andrew Lauren
Trevor Matthews
Andrew Morrison
Brian Young
Brady Corbet
Production Coordinator:
Matteo Paci
Production Design:
Judy Becker
Production Manager:
Gábor Téni
Property Buyer:
Balázs Szender
Property Master:
Viktor Belágyi
Prosthetic Designer:
David Malinowski
Prosthetics Sculptor:
Sebastian Lochmann
Script Supervisor:
Krisztina Szigeti
Sculptor:
Villõ Turcsány
Second Assistant "B" Camera:
Csaba Mecseki
Dávid Vidács
Second Assistant "C" Camera:
Marton Losonci
Second Assistant Camera:
Bálint Seress
Second Assistant Director:
Márk Katona
András Hárskúti
Edina Galgócz
Andor Berényi
Second Unit Cinematographer:
Ádám Fillenz
Second Unit Director:
Mona Fastvold
Maddie Browning
Second Unit Director of Photography:
Ádám Fillenz
Set Costumer:
Megyeri Hanna
Set Decoration:
Patricia Cuccia
Mercédesz Nagyváradi
Lorenzo Scelsi
Set Decoration Buyer:
Rozi Koves
Zsófi Bártfai
Mónika Szili
Fanni Herczeg
Abigel Koczien
Set Dresser:
Oliver Hoffmann
Mark Toth
Alex Ketterer
Tomi Orosz
David Juhasz
Dávid Szabó
Ferenc Bodzás
Dávid Bór
Csongor Tuza
Benjamin Tuza
Marton Petervari
Peter Kiss
János P. Nagy
Peter Simonics
Levente Kalla
Vilmos Lazar
David Vincze
Gergo Daniel
István Koleszár
Akos Vekes
Dániel Megyeri
Roland Sallai
Tamás Ács
Sound Designer:
Andrew Neil
Sound Mixer:
Szabolcs Gáspár
Sound Re-Recording Mixer:
Andrew Neil
Steve Single
Sound Recordist:
Frank Lipson
Yann Fadanelli
Standby Art Director:
Vera Várszegi
Standby Property Master:
Balázs Bakró
Steadicam Operator:
Attila Pfeffer
Still Photographer:
Bence Szemerey
Stunt Coordinator:
Gáspár Szabó
Stunt Double:
Cseperke Mach
Krisztián Czirják
Stunts:
Gábor Tóth
Máté Gyöngyösi
Krisztián Földvári Nagy
Ádám Csuti
Daniel Gerzsenyi
Bendeguz Racz Mate
László Ujvári
Attila Paldeak
Csaba Süveges
István Rubóczki
Norbert Kovács
László Demény
Viktor Sokorai
Supervising Art Director:
Csaba Lódi
Alexander Linde
Supervising Sound Editor:
Steve Single
Thanks:
Joel Edgerton
Third Assistant Director:
Zsolt Sógor
Title Designer:
Sebastian Pardo
Transportation Coordinator:
Dominika Koszó
Video Assist Operator:
Péter Fedor
Visual Effects Coordinator:
Annie Gordon
Visual Effects Producer:
Paul Driver
Visual Effects Supervisor:
Gareth Repton
Writer:
Brady Corbet
Mona Fastvold
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.