A work in constant progress (and occasional regress).
Release Date:
May 3, 2019
Original Title:
Circle of Steel
Genres:
Comedy | Drama
Production Companies:
Kino Sum Productions
Production Countries:
Canada
Ratings / Certifications:
CA: 18A
Runtime: 82
When layoffs are announced at a remote oilfield office, team morale deteriorates with both humorous, and heartbreaking, results. With support, and often-questionable guidance from her co-workers, new engineer Wendy must navigate personal ethics and corporate industry within one of the world's most controversial industries.
Assistant Camera:
Ingrid Vargas
Best Boy Electric:
Dayne Ewen
Best Boy Grip:
Rory O'Dwyer
Casting:
Jason Long
Cinematography:
Grant Cooper
Colorist:
Brendon Rathbone
Director:
Gillian McKercher
Editor:
Erin St.Clair
Gillian McKercher
Executive Producer:
Gary Burns
Avi Federgreen
First Assistant Director:
Emily Renner Wallace
Gaffer:
Scott Lutley
Graphic Designer:
Morgan Curley
Key Grip:
Kaz Nakajima
Location Manager:
Adri Cueva
Cody Macdiarmid
Makeup Artist:
Mariah Jean Johnson
Katt Panic
Alaura Taylor
Shelley Kinaschuk
Makeup Department Head:
Ana Georgina Ortiz
Original Music Composer:
Rebecca Bruton
Katie Streibel
Producer:
Robyn Ho
Gillian McKercher
Guillaume Carlier
Production Assistant:
Drew Merriman
Property Builder:
Jon MacLean
Tommy Rockett
Publicist:
Nicola Waugh
Second Assistant Director:
Derek Jones
Stephen Kievit
Set Designer:
Maeve Orlady
Set Dresser:
Christian Humphries
Grayson Ogle
Sound Recordist:
Ron Osiowy
Alex Mitchell
Jeffrey Murias
Special Effects:
Jashan Makan
Still Photographer:
Elyse Bouvier
Writer:
Gillian McKercher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.