A work in constant progress (and occasional regress).
Release Date:
November 8, 2018
Original Title:
Todas As Canções de Amor
Alternate Titles:
Todas las Canciones de Amor
Genres:
Romance
Production Companies:
20th Century Fox Brazil
Agência Nacional do Cinema - ANCINE
Mar Filmes
Maya Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 92
Chico and Ana move to an apartment in São Paulo. As they unpack Ana found a cassette tape. It's a mix-tape that Clarisse made 20 years earlier to her husband Daniel. Albeit separated by time, both stories will cross paths in a unique way.
Art Direction:
Daniel Flaksman
Assistant Editor:
Maria Claudia Guaratto
Camera Operator:
Fabio Burtin
Co-Producer:
Carlos Saldanha
Marco Anton
Bruno Gagliasso
Ilda Santiago
Co-Writer:
Juliana Araripe
Márcio Alemão
Continuity:
Fadhia Salomão
Costume Assistant:
Masta Ariane
Costumer:
Cristina Kangussu
Director:
Joana Mariani
Director of Photography:
Gustavo Hadba
Editor:
Leticia Giffoni
Executive Producer:
Diane Maia
First Assistant Director:
Wally Araújo
First Assistant Makeup Artist:
Evelyn Barbieri
Idea:
Joana Mariani
Makeup Artist:
Siva Rama Terra
Music Director:
Maria Gadú
Post Production Coordinator:
Laura Futuro
Producer:
Diane Maia
Joana Mariani
Production Director:
Marcelo Maximo
Screenplay:
Nina Crintzs
Vera Egito
Roberto Vitorino
Second Assistant Director:
Ana Fanucci
Sound:
Geraldo Ribeiro
Sound Designer:
Ricardo Reis
Sound Editor:
Miriam Biderman
Sound Mixer:
Paulo Gama
Sound Supervisor:
Miriam Biderman
Third Assistant Director:
Marina Tinel
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.