A work in constant progress (and occasional regress).
Release Date:
October 2, 2019
Original Title:
A Wake
Genres:
Drama
Ratings / Certifications:
DE: 12 FR: TP
Runtime: 105
The children in a religious family clash with their parents as they prepare for the wake of their brother, Mitchel. Teenage Mason desperately tries to reach his lost identical twin through spiritual means. Precocious preteen Molly meticulously organizes the event expecting everything to go exactly as planned. Megan, their older sister, returns home after a long absence, no longer interested in repressing the truth. Their Baptist grandmother and parents attempt to maintain normalcy when an unexpected stranger, Jameson, arrives -- forcing the family to face secrets and lies around Mitchel's death.
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Associate Producer:
Austin King
Jed Bell
Boom Operator:
Mike Stafford
Casting:
Tina D'Elia
Colorist:
Matt Hale
Director:
Scott Boswell
Director of Photography:
Evan Weidenkeller
Editor:
Matt Hale
Electrician:
Alba Roland Mejia
Kathy McLain
Fight Choreographer:
Danielle O'Dea
First Assistant Camera:
Alan Gong
Rease Warford
First Assistant Director:
Molly Stuart
Foley Artist:
Melissa Sams
Gaffer:
Aaron Ware
Vanessa Woo
Grip:
Bobby Kwong
Ryan Matthew Hagerty Moore
Key Grip:
Ryan Owen Nelson
Aleksandra Seiger
Original Music Composer:
Tim Halo
Producer:
Cheryl Simas Valenzuela
Production Assistant:
Sarah Taborga
Seth Rediker
Production Coordinator:
Vladimir Ponomarev Igorevich
Publicist:
Scott Motisko
Second Assistant Camera:
Jimmy Ward
Michael Sousa
Second Assistant Director:
Karina Sosa-Cortez
Sound Mixer:
Steven Lagosh
Steadicam Operator:
Dylan Love
Still Photographer:
Michael Sousa
Transportation Coordinator:
Matt Thompson
Visual Effects:
Scott Boswell
Melissa Sams
Writer:
Scott Boswell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.