A work in constant progress (and occasional regress).
Featuring:
Corinna Agustoni, Stefano Chiodaroli, Renato Cortesi
Written by:
Fabrizio Bozzetti
Pasquale Marrazzo
Roberto Traverso
Directed by:
Pasquale Marrazzo
Release Date:
September 13, 2018
Original Title:
Te lo dico pianissimo
Genres:
Comedy
Ratings / Certifications:
N/A
Runtime: 90
After his ex-wife Addolorata's death, Giuseppe called "Cicci", a fifty years old manager, has to custody his son and doughter Matteo and Sara. Cicci has a long time relation with his partner Nikolas, a sincere and smart plumber. Cicci has three sisters Giuditta, Silvana and Norina: they grow him up as a son and they will put him in a very severe test on the way and how he has to grow up his childrens. The three women move to Cicci and Nikolas' house dictating their religious morals about the traditional family, inspired by don Paolo's words, a priest.
Cicci, a man in his fifties, kind in manner and soul, finds himself, following the disappearance of his ex-wife Dolores, from whom he had been separated for several years, to manage the custody of his two 17-year-old twin sons : Sara and Matteo. For over 15 years Cicci has lived with his partner Nikolas, a plumber of sound ethical and moral principles. The coexistence between the two is severely tested by the decision of the Cicci sisters, headed by Giuditta, to move to their home to "protect" their grandchildren from the risk of "immorality" risk of the couple. The love that keeps Nikolas and Cicci together, forces them to suffer the abuse by the three sisters who are motivated by anything but healthy motivations, but by the desire to fragment the balance that the couple has built in time.
Director:
Pasquale Marrazzo
Director of Photography:
Massimo Foletti
Original Music Composer:
Andrea Tosi
Producer:
Pasquale Marrazzo
Gabriele Albanesi
Screenplay:
Pasquale Marrazzo
Fabrizio Bozzetti
Roberto Traverso
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.