A work in constant progress (and occasional regress).
Release Date:
October 20, 2018
Original Title:
Love, of Course
Genres:
Drama | Romance | TV Movie
Production Companies:
Farpoint Films
Hallmark Media
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 84
A helicopter mom follows her daughter to college and lands a job on campus. When she meets a charismatic professor, she learns more about herself and discovers a life of her own.
"A" Camera Operator:
Daniel Villeneuve
"B" Camera Operator:
Zefred Ansaldo
ADR Recordist:
Eric Stern
Rob Sinko
Colin Simkins
Jeffrey Roy
ADR Supervisor:
Danielle McBride
Art Direction:
Mike Mulhall
Assistant Costume Designer:
Joanne Rodriques
Wanda Farian
Paula Dunfield
Assistant Editor:
Julie Hackett
Assistant Hairstylist:
Heather Streilein
Assistant Location Manager:
Liam Kiernan
Assistant Makeup Artist:
Ashley Lamon
Assistant Property Master:
Ben Dyck
Assistant Set Decoration:
Steve Grosskurth
Best Boy Electric:
Charles Proulx
Best Boy Grip:
Hugh Patterson
Boom Operator:
Urmas Rosin
Camera Trainee:
Nicole Bailey Staats
Casting:
Penny Perry
Jim Heber
Colorist:
Tony Wytinck
Costume Designer:
Maria Duplaga
Craft Service:
Suzanne Shawbonquit
Dialogue Editor:
Faustine Pelipel
Danielle McBride
Jill Purdy
Director:
Lee Friedlander
Director of Photography:
Daniel Villeneuve
Dolly Grip:
David Hutton
Editor:
Lara Mazur
Electrician:
Miles Tapp
Executive Producer:
Anne Carlucci
Extras Casting:
Lori Stefaniuk
Extras Casting Assistant:
Patricia Kress
First Assistant "A" Camera:
Jocelyn Simard
First Assistant "B" Camera:
Ina Lopez
First Assistant Director:
Roman Buchok
Foley Artist:
Kayleigh Bell
Foley Recordist:
Dave Mercel
Gaffer:
Alex Amyot
Generator Operator:
Charles Proulx
Grip:
Basil Fafard
Kiefer Schneider
Hairstylist:
Kaela Perry
Key Grip:
Leo Fafard
Key Hair Stylist:
Rocco Stallone
Key Makeup Artist:
Pamela M. Athayde
Lead Set Dresser:
Brooke Rochon
Location Manager:
Robin Brinsmead
Makeup Artist:
Kristen Watts
Music:
James Gelfand
Music Supervisor:
Valerie Biggin
Post Production Supervisor:
Bruce Little
Producer:
Kyle Bornais
Byron A. Martin
Production Coordinator:
Kathleen Easton
Production Design:
Jill Scott
Property Master:
Dwayne Higgins
Script Supervisor:
Anne-Cécile Boulais
Second Assistant "A" Camera:
Ariane Aubin-Cloutier
Second Assistant "B" Camera:
Charles Durand-Morin
Second Assistant Director:
Robert Glover
Security Coordinator:
James Cronk
Set Decoration:
April Forward
Set Dresser:
Mike Nava
Heather Madill
Adrianna King
Sound Effects Editor:
Noam Lauder
Alan Geldart
Sound Re-Recording Mixer:
Lucas Roveda
Stephen Traub
Sound Recordist:
Robert Woolfson
Special Effects Coordinator:
Jason Wilkins
Steadicam Operator:
Zefred Ansaldo
Still Photographer:
Steven Ackerman
Story:
Janna King
Teleplay:
Lee Friedlander
Janna King
Tracy Andreen
Third Assistant Director:
Richard Altman
Transportation Captain:
Michelle Pirlot
Transportation Coordinator:
Derek Dupont
Unit Production Manager:
Byron A. Martin
Visual Effects Supervisor:
Andrew Degryse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.