A work in constant progress (and occasional regress).
Release Date:
October 13, 2018
Original Title:
Under the Autumn Moon
Genres:
Romance | TV Movie
Production Companies:
Hallmark Media
The Cartel
William F. White International
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 84
While visiting a dude ranch that is a potential acquisition for the outdoor adventure company she works for, Alex, an eager candidate for a big promotion discovers what matters most when she reignites her passion for the great outdoors; and becomes smitten with the ranch’s owner in the process.
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"A" Camera Operator:
Casey Harrison
Animal Wrangler:
T.J. Bews
Art Direction:
Bruce Cook
Assistant Accountant:
Andrew Woods
Assistant Costume Designer:
Barb Myrvold
Assistant Editor:
Gloria Mercer
Assistant Hairstylist:
Jill Hadfield
Shelly Bargenda
Assistant Location Manager:
G. Thomas Arnold
Assistant Makeup Artist:
Nina Kvaternik
Daena Groleau
Assistant Production Coordinator:
Alan Wong
Best Boy Electric:
Kris Bercier
Best Boy Grip:
Brody Young
Boom Operator:
David Sweatman
Camera Trainee:
Juan Manuel Panelli
Casting:
Carmen Kotyk
Co-Executive Producer:
Anthony Fankhauser
Construction Coordinator:
Chris Sol
Costume Designer:
Kendra Terpenning
Costume Set Supervisor:
Nicole Smigelski
Dialogue Editor:
Dale Lennon
Digital Colorist:
Lorraine Grant
Digital Imaging Technician:
Kyle Baldwin
Director:
Gary Yates
Director of Photography:
Paul Suderman
Editor:
Asim Nuraney
Executive Producer:
Jeff Holland
Eric Scott Woods
Stan Spry
Extras Casting:
Lori Stefaniuk
Extras Casting Assistant:
Patricia Kress
First Assistant "A" Camera:
Caley Gibson
First Assistant "B" Camera:
Eric Morin
First Assistant Accountant:
Kari Klassen
First Assistant Director:
Elizabeth Farrer
Foley Artist:
Tim O'Connell
Foley Recordist:
Dave Mercel
Gaffer:
Aaron Merasty
Graphic Designer:
Jesse Miki
Grip:
Russell Farley
Marty Doyle
Mark Burym
Janet Doyle
Derek Hedley
Wesley James Reid
Ante Morovic
Key Grip:
Richard Doyle
Key Hair Stylist:
Roberta Gale
Lead Set Dresser:
Jean Duarte Da Silva
Line Producer:
Anthony Fankhauser
Location Manager:
Brandy Hagborg
Makeup Department Head:
Brandi Boulet
Music:
Aldo Shllaku
Corey Allen Jackson
Music Supervisor:
Lexy Brewer
Online Editor:
Kyle Campbell
Payroll Accountant:
Tracey Phillips
Post Production Coordinator:
Chris Sobrinski
Wei Wilson
Post Production Supervisor:
Melinda Wells McCabe
Producer:
Phyllis Laing
Production Accountant:
Linda Darras
Production Coordinator:
Samantha DeGagne
Production Design:
Gordon Wilding
Production Manager:
Deborah Marks
Property Master:
Don Greenberg
Scenic Artist:
Paul Zacharias
Script Supervisor:
Tami Scott
Second Assistant "A" Camera:
Simon Schoeder
Second Assistant "B" Camera:
Chad Simon
Nicola Baldwin
Second Assistant Director:
Michelle Koerssen
Cody McCullough
Security Coordinator:
Wayne Glesby
Set Decoration:
Angela Cook
Set Dresser:
William Konrad
Ethan Braun
Ryan Voth
Roxanne Buhler
Richard Krahn
Chad Evans
Sound Effects Editor:
Faustine Pelipel
Sound Mixer:
Evelio Manfred Gay Salinas
Sound Re-Recording Mixer:
Jeremy Fong
Stephen Traub
Special Effects Coordinator:
Tim Freestone
Still Photographer:
Allen Fraser
Story:
Edgar Lyall
Stunt Coordinator:
Rick Skene
Stunt Double:
Kristen Sawatzky
Stunts:
Jake Kennerd
Third Assistant Director:
Crystal Staryk
Transportation Coordinator:
Corey Walker
Truck Supervisor:
Nathan Michael Fletcher
Visual Effects Supervisor:
Scott Wheeler
Writer:
Tracy Andreen
Nicole Avril
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.