A work in constant progress (and occasional regress).
Original Title:
EXTRiNSIC: The Beginning
Alternate Titles:
Extrinsic: The Beginning
Genres:
Science Fiction | Thriller
Production Companies:
Bicameral Productions
Freetage Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
In the year 2053, Artificially Intelligent beings have just been released to the public. When a young mechanic named Rem gets introduced to one of the new models, a startling and scary situation has left him and others speechless.
Assistant Director of Photography:
Andrew Rhyne
Best Boy Grip:
Keven Meadows
Andrew Rhyne
Best Boy Lighting Technician:
Josh Orms
Boom Operator:
Jonathan Simmons
Cinematography:
Josh Orms
Andrew Rhyne
Creative Consultant:
Andrew Rhyne
Director:
Josh Orms
Director of Communications:
Josh Orms
Director of Operations:
Josh Orms
Director of Photography:
Josh Orms
Editor:
Josh Orms
Editorial Consultant:
Andrew Rhyne
Austin Freetage
Executive Producer:
Charles Hernandez
First Assistant Camera:
Armand Topcubasi
Grip:
Austin Freetage
Grip Production Assistant:
Andrew Rhyne
Key Grip:
Jonathan Simmons
Key Grip Production Assistant:
Keven Meadows
Music:
Wade Josey
Music Co-Supervisor:
Eli Wennstrom
Music Supervisor:
Josh Orms
Original Music Composer:
Wade Josey
Eli Wennstrom
Producer:
Josh Orms
Eli Wennstrom
Austin Freetage
Production Design:
Isaiah Molina
Austin Freetage
Josh Orms
Screenplay:
Austin Freetage
Andrew Rhyne
Screenstory:
Josh Orms
Script:
Austin Freetage
Script Consultant:
Jonathan Barron
Eli Wennstrom
Austin Freetage
Andrew Rhyne
Armand Topcubasi
Jonathan Simmons
Second Assistant Camera:
Keven Meadows
Second Unit Director of Photography:
Andrew Rhyne
Sound Assistant:
Jonathan Simmons
Sound Designer:
Wade Josey
Sound Engineer:
Josh Orms
Writer:
Josh Orms
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.