A work in constant progress (and occasional regress).
Release Date:
September 6, 2018
Original Title:
Amalia
Genres:
Horror | Romance | Science Fiction | Thriller
Production Companies:
Sueños Agudos
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 97
After her mother’s death, Amalia learns that her husband is having an affair. But when he mysteriously dies a few days later, the young widow, obsessed by her late husband’s mistress, succumbs to bloodthirsty madness.
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ADR Recordist:
Jonathan Debaun
Additional Visual Effects:
Keeley Davis
Art Direction:
Alex Lomeli
Leti Peña
Jason Carranza
Cinematography:
Nini Blanco
Co-Producer:
Adam Thomson
Colorist:
Brian Thompson
Director:
Omar Rodriguez-Lopez
Editor:
Adam Thomson
Executive Producer:
Johan Sherrer
Gaffer:
Víctor Amparan
Line Producer:
Chris Lewels
Location Manager:
Carlos Corral
Makeup & Hair:
Marissa Garcia
Music Supervisor:
John Cruz
Musician:
Leo Genovese
Orchestrator:
Jonathan Debaun
Producer:
Omar Rodriguez-Lopez
Production Coordinator:
Alfonso Duarte
Production Intern:
Nora Aguirre
Rikardo Rodríguez López
Production Manager:
Ramón Villa
Production Sound Mixer:
Bernat Fortiana
Production Trainee:
Marfred Rodríguez López
Score Engineer:
Alma Zayas Perez
Sound Designer:
Andrew Spence
Sound Mixer:
Andrew Spence
Special Effects:
Gamaliel de Santiago
Iñaki Legaspi
Visual Effects:
Hitoshi Inoue
Writer:
Omar Rodriguez-Lopez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.