A work in constant progress (and occasional regress).
Release Date:
October 15, 2009
Original Title:
戦慄迷宮3D
Alternate Titles:
Labirent 3D
Labirintul
Labirynt strachu
Mê Cung Kinh Hoàng
Senritsu meikyû
Senritsu meikyû 3D
The Shock Labyrinth 3D
The Shock Labyrinth: Extreme 3D
Untitled Takashi Shimizu 3-D Thriller Project
Лабиринт страха
戦慄迷宮3D THE SHOCK LABYRINTH
Genres:
Horror | Thriller
Production Companies:
Asmik Ace Entertainment
Fortissimo Films
Ogura Jimusyo Co.
Production Countries:
Japan
Ratings / Certifications:
AT: 16 GB: 15 NL: NR
Runtime: 89
The horror-thriller follows a group of teenagers dealing with the disappearance of one of them, Yuki, at an amusement park's haunted house. On a rainy day 10 years later, Yuki inexplicably returns. However, no sooner is she united with her former friends than she collapses, and the group rushes Yuki to a nearby hospital. But after checking in, they discover that things are not quite as they seem at the medical center. As the night wears on, the group sinks deeper and deeper into the events from a decade ago that led to Yuki's disappearance.
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Dialogue:
Jessica Loddo
Director:
Takashi Shimizu
Director of Photography:
Tsukasa Tanabe
Editor:
Zensuke Hori
Executive Producer:
Masao Teshima
Original Music Composer:
Kuniaki Haishima
Post Producer:
Kenny Kusaka
Producer:
Satoru Ogura
Masayuki Tanishima
Dai Miyazaki
Production Design:
Nori Fukuda
Screenplay:
Daisuke Hosaka
Story:
Daisuke Hosaka
Visual Effects Supervisor:
Tsuyoshi Kazuno
Writer:
Daisuke Hosaka
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.