A work in constant progress (and occasional regress).
Release Date:
September 20, 2018
Original Title:
Po čem muži touží
Alternate Titles:
Чего хoтят мужчины
Genres:
Comedy
Production Companies:
Flamesite
Fénix Film
Production Countries:
Czech Republic
Ratings / Certifications:
CZ: 15+ RU: 16+ SK: 12
Runtime: 95
The charismatic and self-confident man, Karel Král, is the editor-in-chief of men's magazine. Although a chauvinistic type, he is very popular with women. However, he struggles in his personal life. He frequently argues with his ex-wife over their 17 year-old daughter Julie, who despises his new way of life. Then the consequences of his behavior catch up with him. He loses his job, and the editor-in-chief position is given to a young and beautiful woman. But his bad luck does not end there. After another fight with his ex-wife and daughter, and a woman driver crashing into his car, Karel and his best friend Cestmír have an evening of binge drinking. During the wild night, he expresses a wish to be a woman. When he wakes up the next morning he discovers that his wish has been granted.
Assistant Camera:
Jan Drdák
Assistant Production Manager:
Matěj Blahovec
Ivana Lupačová
Camera Operator:
Jiří Berka
Jan Šťastný
Co-Producer:
Michal Šabršula
Kamil Kožíšek
Costume Design:
Jana Haresová
Costumer:
Olga Šebíková
Martina Čechtická
Jarmila Dunděrová
Director:
Rudolf Havlík
Director of Photography:
David Ployhar
Editor:
Boris Machytka
First Assistant Director:
David Jančar
Focus Puller:
Jan Jirák
Michal Škoda
Music:
Ondřej Konvička
Producer:
Dana Voláková
Michaela Flenerová
Production Manager:
Eva Jindráková
Script:
Gabriela Bernardová
Set Decoration:
Jan Hoffmann
Sound:
Pavel Kovařík
Roman Čapek
Sound Mixer:
Karel Zámečník
Roman Čapek
Miloš Sommer
Ondřej Konvička
Steadicam Operator:
Filip Halaška
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.