A work in constant progress (and occasional regress).
Release Date:
October 29, 2002
Original Title:
The Collingswood Story
Genres:
Horror | Mystery | Thriller
Production Companies:
Cinerebel Films
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 82
When Rebecca went away to college, her boyfriend John thought video chatting would help them stay in touch. But idle curiosity leads to a dark secret when Rebecca and John video chat with Vera Madeline, an online psychic, who initiates a deadly reign of terror over their lives. The Collingswood Story is an innovative and acclaimed micro budget horror film by writer/director Mike Costanza. It’s the first found footage film to be viewed through webcams, which helped pave the way for future hits such as Host, Paranormal Activity, and Unfriended. Its macabre tale of murder, ritual, and mystery is told through an immersive interface where each character uses a cam for their own voyeuristic purposes - to communicate, to investigate, and to victimize - ultimately becoming witness to a shocking and disturbing finish!
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Associate Producer:
Beverly Burton
Director:
Michael Costanza
Editor:
Michael Costanza
Executive Producer:
Eric Haas
Steve Hill
James H. Achuff
Makeup Artist:
Amber Dees
Music:
John DeBorde
Music Supervisor:
Camille Bright-Smith
Screenplay:
Michael Costanza
Sound Recordist:
Devin Golub
Thanks:
Michael A. Pace
Shelly Speck
Al Calderon
Hugo Rojas
Jeff Harlacker
Kevin Allen
Craig Large
Brad Fielder
John Maginnis
Jahna Jacobson
Louis Briel
Title Designer:
Ema Multimedia
Web Designer:
Nat Gozzano
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.