A work in constant progress (and occasional regress).
Release Date:
September 21, 2018
Original Title:
Enigma
Genres:
Drama
Production Countries:
Chile
Ratings / Certifications:
N/A
Runtime: 80
Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy, a hairdresser who has worked very hard to move on with her life, will have to decide if finding justice for her deceased daughter is worth exposing herself and her family on television.
Art Direction:
Cati Ezurmendia
Assistant Director:
Liu Marino
Colorist:
Claudio Aguilar
Continuity:
Katherine Medel
Costumer:
Catalina Andrade
Dialogue Editor:
Carlo Sánchez Farías
Director:
Ignacio Juricic Merillán
Director of Photography:
Danilo Miranda
Editor:
Valeria Hernández
Executive Producer:
Mariana Tejos Martignoni
First Assistant Camera:
Nicolás 'Pape' Bórquez
Focus Puller:
Nicolás 'Pape' Bórquez
Foley Artist:
Camila Pruzzo
Gaffer:
Lautaro Salinas
Hairstylist:
Mery Albornoz
Location Manager:
Camila Ramírez
Makeup Artist:
Maria Ignacia Hargreaves
Other:
Oriana Curiante
Producer:
Mariana Tejos Martignoni
Production Manager:
Camila Ramírez
Screenplay:
Ignacio Juricic Merillán
Script Consultant:
José Luis Torres Leiva
Second Assistant Director:
Nicol Ruiz
Sound Designer:
Carlo Sánchez Farías
Sound Director:
Carlo Sánchez Farías
Sound Effects Editor:
Carlo Sánchez Farías
Sound Mixer:
Roberto Espinoza
Sound Recordist:
Andrés Carrasco
Sound Supervisor:
Pablo Bahamóndez
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.