A work in constant progress (and occasional regress).
Release Date:
March 1, 2011
Original Title:
S.W.A.T.: Firefight
Alternate Titles:
S W A T - Firefight
S W A T - Squadra Speciale Anticrimine 2
S.W.A.T 2: Fire Fight
S.W.A.T. Comando Especial Detroit
SWAT - O Confronto
SWAT 2
SWAT Firefight
Спецпризначенці: Перестрілка
Спецпризначенці: Перехресний вогонь
특수기동대 2 : 파이어파이트
Genres:
Action | Crime | Thriller
Production Companies:
Original Film
RCR Media Group
Stage 6 Films
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 16 DK: 15 HU: 18 JP: R18+ NL: 16 US: R
Runtime: 89
Los Angeles S.W.A.T. officer, Lt. Paul Cutler, is sent to train the Detroit S.W.A.T. team on new anti-terrorism and homeland security techniques. Cutler has a hard time settling into his assignment as he locks horns with his new captain and encounters resistance from the team he must lead. Cutler begins to adjust to his new assignment, starting a budding romance with police psychologist Kim Byers along the way. Unexpectedly, a routine hostage call turns deadly, and a relentless ex-government agent named Walter Hatch vows revenge on Cutler and the entire S.W.A.T. team for killing the woman he loves. Cutler must use his considerable S.W.A.T. training and knowledge to save his teammates and defeat a trained killer.
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Armorer:
Sam Arthurs
Art Department Coordinator:
Vicki Stefanopoulos
Best Boy Electric:
Michael J. Conner
Boom Operator:
Craig Dollinger
Camera Operator:
Christopher Bottoms
Kevin D. Hewitt
Co-Producer:
Benny Boom
Jeni Mulein
Dyan Traynor
Construction Coordinator:
Sean Clouser
Costume Design:
Francine Jamison-Tanchuck
Costume Supervisor:
Stanley Moore
Dialogue Editor:
Jacob Riehle
Director:
Benny Boom
Director of Photography:
Don Davis
Dolly Grip:
Erik F. Hill
Executive Producer:
Scott Putman
Rui Costa Reis
Eliad Josephson
First Assistant Camera:
Andy Hoehn
Reed Koppen
First Assistant Director:
Mike Ellis
Foley Editor:
Trent Richmond
Gaffer:
Anthony 'Spike' Simms
Hair Department Head:
John Tarro
Key Costumer:
Vicente Parada
Key Hair Stylist:
Jeannette Moriarty
Key Makeup Artist:
Jayne Laube
Lighting Technician:
Michael W. Anderson
Location Manager:
Michael S. Jones
Bridget Reddeman
Makeup Department Head:
Kimberly Jones
Music:
John Paesano
Music Editor:
Greg Vines
Music Supervisor:
Kier Lehman
Producer:
Amanda Lewis
Neal H. Moritz
Production Design:
Bruton Jones
Production Supervisor:
Daniel A. Mondschain
Pyrotechnic Supervisor:
Joe Pancake
Pyrotechnician:
Richard L. Hill
Screenplay:
Reed Steiner
Set Decoration:
Selina van den Brink
Set Designer:
Sarah M. Pott
Sound Editor:
Tim Tuchrello
Sound Effects Editor:
Jeffrey A. Pitts
Sound Recordist:
Dean Andre
Special Effects Supervisor:
Russell Tyrrell
Steadicam Operator:
William Eichler
Still Photographer:
Alicia Gbur
Story:
Reed Steiner
Randy Walker
Michael Albanese
Ed Arneson
Stunt Coordinator:
Mike Smith
Stunt Double:
Jessica Harbeck
Stunts:
Troy Gilbert
Supervising Sound Editor:
Benjamin L. Cook
Joe Dzuban
Visual Effects Producer:
Paul Andraos
Visual Effects Supervisor:
Cyryl Koshyk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.