A work in constant progress (and occasional regress).
Release Date:
July 15, 1998
Original Title:
There's Something About Mary
Alternate Titles:
Den där Mary
Doidos por Mary
Ima nešto u vezi Meri
Loco por Mary
Loco por mary
Mary ni kubitakke
Nieco na tej Mary je
Nori na Mary
Sekaisin Marista
Svi su ludi za Meri
There Is Something About Mary
There's Something About Mary
There's Something More About Mary
Tutti pazzi per Mary
Verrueckt nach Mary
Κάτι Τρέχει με τη Μαίρη
Всі в захваті від Мері
情迷索玛莉
메리에겐 뭔가 특별한 것이 있다
Genres:
Comedy | Romance
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 14 CH: 12 CZ: 15+ DE: 12 DK: 11 ES: 12 FI: K-12 FR: U GB: 15 GR: 15 HU: 18 IE: 15 KR: 18 NL: 6 NO: 11 PL: 16 PT: M/12 RU: 18+ SE: 7 US: R
Runtime: 120
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
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2000 #27 |
100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time |
ADR Editor:
Scott G.G. Haller
Lukas Bower
ADR Voice Casting:
Terri Douglas
Animatronics Designer:
Tony Gardner
Art Department Coordinator:
Rosa Palomo
Art Department Production Assistant:
Liza-Anne Cabral
Art Direction:
Arlan Jay Vetter
Assistant Camera:
Benjamin Centoducati
Assistant Craft Service:
Kurt Beckler
Assistant Location Manager:
R. Colette Hailey
Assistant Makeup Artist:
Erin Koplow
Assistant Production Coordinator:
Mark Lafata
Assistant Property Master:
Nicholas J. Romanac
Assistant Sound Editor:
Catherine Calleson
Associate Producer:
Mark Charpentier
Patrick Healy
Best Boy Electric:
Jason Barfield
Best Boy Grip:
Eugene Rivera
Boom Operator:
Jon Udell
Carpenter:
David Alban
Casting:
Rick Montgomery
Casting Assistant:
Ed Arenas
Casting Associate:
Joe Garcia
Co-Producer:
Marc S. Fischer
J.B. Rogers
Color Timer:
Dennis McNeill
Construction Coordinator:
Michael Metzel
Construction Foreman:
James Harris
Costume Design:
Mary Zophres
Costume Supervisor:
Leslie Herman
Costumer:
Denverly Grant
Craft Service:
Marc H. Katz
Dialect Coach:
Norene Bini
Dialogue Editor:
Ulrika Akander
Allen Hartz
Bob Newlan
Digital Compositors:
Jerry Hall
Director:
Bobby Farrelly
Peter Farrelly
Director of Photography:
Mark Irwin
Dolby Consultant:
James Wright
Dolly Grip:
Jerry Bertolami
Driver:
Scott Mundy
Editor:
Christopher Greenbury
Electrician:
Larry Bradshaw
Executive In Charge Of Production:
Thomas A. Imperato
Executive Producer:
Bobby Farrelly
Peter Farrelly
Extras Casting:
Ellen Jacoby
Extras Casting Assistant:
Dana McFadden
First Assistant Accountant:
Deborah Evans
First Assistant Camera:
Gary Katsuya Ushino
First Assistant Director:
J.B. Rogers
First Assistant Editor:
Larry Madaras
Foley Mixer:
David Betancourt
Foley Recordist:
Carrie Cashman
Gaffer:
Jay W. Yowler
Greensman:
Terry Butler
Grip:
Mike Clayton
Hairstylist:
Steve Battaglia
Head Greensman:
Robert Kopp
Key Grip:
Jim Campbell
Key Hair Stylist:
Voni Hinkle
Key Rigging Grip:
Christian E. Dirkes
Leadman:
Mark Dane
Location Assistant:
Josh Gutterman
Location Casting:
Ellen Jacoby
Location Manager:
Sam Tedesco
Location Scout:
Leah Sokolowsky
Makeup Artist:
Bernadette Mazur
Makeup Effects:
Scott Malchus
Music Coordinator:
Manish Raval
Music Supervisor:
Happy Walters
Negative Cutter:
Gary Burritt
Original Music Composer:
Jonathan Richman
Post Production Assistant:
Robert Pawloski
Post Production Supervisor:
P. Todd Coe
Producer:
Frank Beddor
Michael Steinberg
Bradley Thomas
Charles B. Wessler
Production Accountant:
Andrea Isaacs
Production Assistant:
Josué D. Aguilar
Production Coordinator:
Sondra Dee Boyachek
Production Secretary:
Jason Dudek
Production Supervisor:
Garrett Grant
Projection:
Jon Glafcke
Property Master:
Richard K. Wright
Propmaker:
Martin W. Bell
Rigging Gaffer:
Troy White
Rigging Grip:
James Bright
Scenic Artist:
Jose Duarte
Score Engineer:
Mike Ross-Trevor
Screenplay:
Ed Decter
John J. Strauss
Peter Farrelly
Bobby Farrelly
Script Supervisor:
Steve Gehrke
Seamstress:
Susan Rhoden
Second Assistant Accountant:
Laura Kreft
Second Assistant Camera:
Egor Davidoff
Second Assistant Director:
Hal Olofsson
Second Second Assistant Director:
Ingrid K. Behrens
Second Unit Director:
Josh Klausner
Set Costumer:
Linda S. Cormany
Set Decoration:
Scott Jacobson
Set Designer:
Nicklas Farrantello
Set Dressing Artist:
Bobby Amor
Set Production Assistant:
Michael Hopkins
Sound Editor:
Jay Wilkinson
Sound Effects Editor:
Sean Garnhart
Sound Engineer:
Gary L.G. Simpson
Sound Mixer:
Jonathon 'Earl' Stein
Sound Recordist:
Andrea Lakin
Brian D. Lucas
Special Effects Coordinator:
Kevin Harris
Still Photographer:
Glenn Watson
Story:
Ed Decter
John J. Strauss
Stunt Coordinator:
Rick Barker
Stunts:
Jay Amor
Juliet Cariaga
Tom Bahr
Christi Bauerle
Tony Perez
Joseph Marino
Supervising ADR Editor:
Vanessa Lapato
Supervising Music Editor:
Lee Scott
Supervising Sound Editor:
Michael J. Benavente
Transportation Co-Captain:
Anthony Chiofalo
Transportation Coordinator:
Gordie Merrick
Unit Production Manager:
Marc S. Fischer
Unit Publicist:
Ernie Malik
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.