A work in constant progress (and occasional regress).
Release Date:
April 21, 1991
Original Title:
Paris Trout
Genres:
Drama | TV Movie
Production Countries:
United States of America
Ratings / Certifications:
DE: 16
Runtime: 93
Paris Trout is a vile Southern bigot. He owns a store and is a loanshark. He often sues people, and so his lawyer, Harry Seagraves, eventually meets Paris' wife Hannah. A former schoolteacher, she made the mistake of her life when she married Paris, who brutalizes her. Soon Paris goes beyond the overgenerous bounds of what a man in his position can get away with even in the segregated South, leading to a spiral of perverse insanity.
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Casting Assistant:
Diane Alexander
Casting Coordinator:
Cynthia Stillwell
Co-Producer:
David Womark
Color Timer:
Dan Muscarella
Costume Design:
Mary Rose
Costumer:
Linda N. Robinson
Director:
Stephen Gyllenhaal
Director of Photography:
Robert Elswit
Dolly Grip:
C. Ashley Sudge
Driver:
Mike Robinson
Shanda Scott
Editor:
Harvey Rosenstock
Executive Producer:
Diana Kerew
First Assistant Camera:
Michael G. Riba
First Assistant Director:
David Womark
First Assistant Editor:
Teressa Longo
Location Manager:
Carri Gibbs
Music Editor:
Lori Slomka
Novel:
Peter Dexter
Original Music Composer:
David Shire
Producer:
Frank Konigsberg
Larry Sanitsky
Production Assistant:
Eric L. Morton
Production Design:
Richard Sherman
Screenplay:
Peter Dexter
Script Supervisor:
Gail Hunter
Second Assistant Camera:
James 'Brandy' Spear
Second Assistant Director:
Brenda Kalosh
Set Decoration:
Michael Warga
Sound Effects Editor:
Brad Sherman
Peter Bergren
Sound Re-Recording Mixer:
Gary C. Bourgeois
Stunt Double:
Davis Bates
Unit Production Manager:
Tom Luse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.