A work in constant progress (and occasional regress).
Release Date:
January 25, 1977
Original Title:
Providence
Alternate Titles:
Gondviselés
Opatrzność
Providența
Prozřetelnost
Viimeinen kirja
Ödets hand
Провидение
Провидіння
プロビデンス
프로비던스
Genres:
Comedy | Drama
Production Companies:
Action Films
Citel Films
France 3
SFP
Production Countries:
France | Switzerland
Ratings / Certifications:
N/A
Runtime: 110
On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour.
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Administration:
Michel Fauré
Art Direction:
Jean-Claude Cabouret
Daniel Pierre
Assistant Camera:
Daniel Smague
Jacques Labesse
Assistant Editor:
Yann Darré
Jean-Pierre Besnard
Associate Producer:
Lise Fayolle
Juergen Hellwig
Boom Operator:
Guy Maillet
Camera Operator:
Philippe Brun
Costume Design:
John Bates
Yves Saint Laurent
Catherine Leterrier
Costumer:
Liselle Roos
Dialogue:
David Mercer
Director:
Alain Resnais
Director of Photography:
Ricardo Aronovich
Editor:
Albert Jurgenson
Electrician:
Bernard Journoux
Executive Producer:
Philippe Dussart
Foley Artist:
Daniel Couteau
Hairstylist:
Michel Trigon
Key Grip:
Alain Le Guern
Makeup Artist:
Victor Merinow
Régine Havan
Marie-Hélène Yastchenkoff
Original Music Composer:
Miklós Rózsa
Producer:
Klaus Hellwig
Yves Gasser
Yves Peyrot
Production Design:
Jacques Saulnier
Production Director:
Roland Sabary
Production Manager:
Michel Choquet
Antoine Gannagé
Property Master:
Roland Pichery
Screenplay:
David Mercer
Script Supervisor:
Marie-Josée Guissart
Set Decoration:
Charles Merangel
Sound:
Jacques Maumont
Sound Editor:
Claude Plouganou
Sound Effects:
Jean Schwarz
Still Photographer:
Jürgen Vollmer
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.