Monument of Distance (2018) [N/A]

Release Date:
June 1, 2018

Original Title:
Etäisyyden Monumentti

Production Countries:
Finland

Ratings / Certifications:
 N/A

Runtime: 7

Googoosh, a popular and loved iranian-azerbaijani singer, performs a version of the song Ayrılıq – Separation. The performance is from 1970s television show and it has been copied several times from one videotape to another. Ayrılıq could be a love song but it is told that composer Ali Salimi (who at the age of 16 moved from Soviet Azerbaijan to Iran with his family and left many of his loved ones behind) wanted to make music about his sense of longing. I was searching for another song when I found this performance on YouTube. I could watch the video again and again and try to get a deeper understanding of it. I could use the performance as a mirror for the part in me that is of Iranian and Azeri origin. I could compare my sense of longing with the degraded video image and the lyrics of the song. And in my eyes the found video grew into a monument of distance – a presentation of disconnection, images, memory and mixed identification.

Additional information:

The Search Form


Director:
Azar Saiyar

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.