A work in constant progress (and occasional regress).
Release Date:
October 26, 2018
Original Title:
Rojo
Alternate Titles:
Czerwony
Raudona
Genres:
Drama | Mystery | Thriller
Production Companies:
Agência Nacional do Cinema - ANCINE
Banco Regional de Desenvolvimento do Extremo Sul
Bord Cadre Films
Cine Argentino
Cine Jempsa
Desvia
Ecce Films
Film- und Medienstiftung NRW
Fundo Setorial do Audiovisual
Hubert Bals Fund
INCAA
L'Aide aux Cinémas du Monde
Le Tiro Cine
Luxbox
Mecenazgo Cultural
Netherland Filmfund
PUCARÁ cine
Programa Ibermedia
Sutor Kolonko
World Cinema Fund
Production Countries:
Argentina | Belgium | Brazil | France | Germany | Netherlands | Switzerland
Ratings / Certifications:
AR: 13 DE: 12 FR: U IE: 15 NL: 16
Runtime: 106
A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.
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Additional Editor:
Eduardo Pires de Vasconcelos
Additional Grip:
Sergio Olmos
Ezequiel Mansilla
Art Department Coordinator:
Marina Gurman
Art Department Trainee:
Emanuel Taboada
Art Direction:
Julieta Dolinsky
Assistant Costume Designer:
Nora Lia Alaluf
Florencia Delboy
Assistant Director:
Ana Inés Berard
Assistant Director Trainee:
María Luz Trigo
Assistant Editor:
Iair Michel Attías
Assistant Grip:
David Ozuna
Assistant Property Master:
Nahuel Broin
Jacqueline Elizabeth Suárez
Associate Producer:
Jamal Zeinal Zade
Dan Wechsler
Boom Operator:
Demian Coleman
Lucía Iglesias
Camera Trainee:
Delfina Carlota Vazquez
Casting:
María Laura Berch
Choreographer:
Juan Onofri
Co-Producer:
Emmanuel Chaumet
Marleen Slot
Rachel Ellis
Ingmar Trost
Color Grading:
Eduardo Sierra
Continuity:
Wenchi Bonelli
Costume Design:
Jam Monti
Data Management Technician:
Sergio Panetta
Dialogue Editor:
Florencia González Rogani
Director:
Benjamín Naishtat
Director of Photography:
Pedro Sotero
Editor:
Andrés Quaranta
Electrician:
Sebastián Sarlenga
Julián Babino
Dario Meza
Leandro Rocha
Executive Producer:
Mathilde Delaunay
First Assistant Director:
Julia Bastanzo Paximada
Focus Puller:
Nicolau Saldanha
Foley Artist:
Miren Begoña Cortazar
Foley Recordist:
Martín Litmanovich
Gaffer:
Márcio Lima
Genetator Operator:
Javier Argañaraz
Maxi López
Hair Department Head:
Daniela Deglise
Key Grip:
Gustavo Donato
Lighting Manager:
Francisco Bouzas
Location Assistant:
Fernando Nigri
Noelia Gallego
Location Manager:
Martin Iturri
Makeup & Hair Assistant:
Lucas Perrone
Adriana Rinaldi
Federico Robledo
Romina Ponce
Amalia Schefer
Makeup Department Head:
Dolores Giménez
Music Arranger:
Jean-Philippe Rameau
Music Consultant:
Frederic Schindler
Original Music Composer:
Vincent van Warmerdam
Post Production Coordinator:
Melanie Schapiro
Sebastián Schjaer
Post-Production Manager:
Victor Vasini
Producer:
Bárbara Sarasola-Day
Federico Eibuszyc
Production Assistant:
Marcos Sanzano
Matias Chillier
Sofía Koremblit
Kevin Perelman
María Alejandra Estifique
Candela Chirino
Production Director:
Chino Fernández
Production Manager:
Maria Calcagno
Production Trainee:
Hugo Shinyashiki
Natasha Gurfinkel
Props:
Jorge Sesán
Recording Supervision:
Mikel le Roy
Screenplay:
Benjamín Naishtat
Second Assistant Camera:
Maíra Iabrudi
Second Assistant Director:
Esteban Trivisonno
Set Decoration:
Germán Naglieri
Sound:
Fernando Ribero
Sound Editor:
Florencia González Rogani
Sound Mix Technician:
Martin Delzescaux
Sound Mixer:
Simon Apostolou
Sound Re-Recording Mixer:
Simon Apostolou
Sound Recordist:
Pedro Sá Earp
Special Effects:
Daniela Deglise
Dolores Giménez
Federico Rasenberg
Still Photographer:
Marcos Sanzano
Title Designer:
Sander Brouwer
Visual Effects:
Tomás Pernich
Martín Villarreal
Lautaro Azcuy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.