Home

Tarja: Act II (2018) [N/A]

Release Date:
July 27, 2018

Original Title:
Tarja: Act II

Genres:
Music

Production Companies:
earMUSIC

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 135

Overview from TheMovieDB

Filmed during Tarja’s The Shadow Shows World Tour, during which the influential heavy rock singer circled the world for 7 ½ times with over 300.000 km travelled and played over 200 shows in 40 countries in front of 1 million people. Act II consists of the singer’s very intimate set filmed and recorded live at the Metropolis Studio in London, UK and the breathtaking live performance of one of her shows in Milan, Italy, as well as previously unreleased interviews and photo galleries. Set-List: 1. No Bitter End / 2. 500 Letters / 3. Demons in You / 4. Little Lies / 5. Eagle Eye / 6. Diva / 7. Calling from the Wild / 8. Supremacy (Muse Cover) / 9. Tutankhamen / Ever Dream / The Riddler / Slaying the Dreamer / 10. Undertaker / 11. Lanterna dos Afogados (Os Paralamas do Sucesso Cover) / 12. Love to Hate / 13. Victim of Ritual / 14. I Walk Alone / 15. Innocence / 16. Die Alive / 17. Until My Last Breath.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Assistant Director:
Stéphanie Réchaussat

Director:
Dominique Durand
Martin Müller
Tim Sidwell

Editor:
Tim Sidwell
Jochen Trauter

Makeup & Hair:
Mari Vaalasranta

Producer:
Marcelo Cabuli
Eric Hallier
Jeremy Mason
Tarja Turunen
Patrick Villeneuve

Production Manager:
Isabelle Albrecht
Julien Babey
Caroline Gilbert

Unit Manager:
Steve Gould

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.