A work in constant progress (and occasional regress).
Release Date:
October 15, 1999
Original Title:
Absence of the Good
Alternate Titles:
İyilikten Uzak
Genres:
Thriller
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 HU: 18
Runtime: 90
Salt Lake City homicide detective Caleb Barnes is under increasing pressure from all sides to crack a string of serial killings that have been terrorizing the city. At the same time, Barnes' home life is beginning to crumble in the wake of his son's accidental death. Will he solve the killings before the stress tears him apart?
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
David Gertz
Michael Miller
Costume Design:
Camille Jumelle
Director:
John Flynn
Director of Photography:
Ric Waite
Editor:
Barry Zetlin
Executive Producer:
Jeff Ivers
First Assistant Director:
Tobijah Tyler
Foley Artist:
Cynthia Merrill
Patrick Cabral
Foley Mixer:
Nick Neutra
Hair Designer:
Erin Lyons
Makeup Department Head:
Gina Homan
Original Music Composer:
Richard Marvin
Producer:
Brad Krevoy
Oliver G. Hess
Kevin M. Kallberg
Production Design:
Whitney Brooke Wheeler
Screenplay:
David Golden
Second Unit Director:
Jeff Jensen
Set Decoration:
Laurie Scott
Sound Editor:
Jonathan Miller
Sound Effects Editor:
Rickley W. Dumm
Sound Mixer:
Jonathon 'Earl' Stein
Sound Re-Recording Mixer:
Greg Lanney
Sergio Reyes
Sound Recordist:
Steven Brimmer
Special Effects Coordinator:
Ken Speed
Steadicam Operator:
Dennis Kurumada
Stunt Coordinator:
Jeff Jensen
Stunts:
Gary Tacon
Cort Hessler
Lance King
Mickey Alzola
Supervising Sound Editor:
Byron Wilson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.