A work in constant progress (and occasional regress).
Release Date:
October 25, 2018
Original Title:
Человек, который удивил всех
Alternate Titles:
Mees, kes üllatas kõiki
Tchelovek kotorij udivil vseh
모두를 놀라게 한 남자
Genres:
Drama
Production Companies:
Arizona Productions
Chainsaw Europe
Council of Europe
Cultural Endowment of Estonia
Estonian Film Institute
Eurimages
Homeless Bob Production
Ministry of Culture of the Russian Federation
Non-Stop Productions
Pan-Atlantic Studio
Pluto Film
Production Countries:
Estonia | France | Russia
Ratings / Certifications:
RU: 18+
Runtime: 105
Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.
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Costume Design:
Anna Bartuli
Digital Imaging Technician:
Sergey Shkreba
Director:
Natalya Merkulova
Alexey Chupov
Director of Photography:
Mart Taniel
Editor:
Vadim Krasnitsky
Graphic Designer:
Margus Tamm
Makeup Artist:
Tatiana Kolomitseva
Original Music Composer:
Andrey Kurchenko
Producer:
Ekaterina Filippova
Katrin Kissa
Guillaume de Seille
Alexander Rodnyansky
Production Design:
Sergey Avstrievskikh
Production Sound Mixer:
Stanislav Krechkov
Screenplay:
Alexey Chupov
Natalya Merkulova
Sound:
Vladimir Pryamov
Aleksandr Fedenyov
Sound Re-Recording Mixer:
Florin Tăbăcaru
Stunt Coordinator:
Andrey Sedov
VFX Artist:
Hendrik Proosa
Visual Effects Supervisor:
Jan Viljus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.