A work in constant progress (and occasional regress).
Release Date:
October 15, 2010
Original Title:
DMT: The Spirit Molecule
Alternate Titles:
DMT:精神分子
ДМТ: Молекула духа
Genres:
Documentary
Production Companies:
Spectral Alchemy
Synthetic Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 75
THE SPIRIT MOLECULE weaves an account of Dr. Rick Strassman's groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants, including the sacred Amazonian brew, ayahuasca. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT, and ayahuasca, within their respective fields, and discussions with Strassman’s research volunteers, brings to life the awesome effects of this compound, and introduces us to far-reaching theories regarding its role in human consciousness.
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Additional Camera:
Laela Kilbourn
Additional Photography:
Ricardo Diaz
Animation Department Coordinator:
David Hobizal
Assistant Director:
Bryan Ferguson
Color Designer:
Joe Malina
Director:
Mitch Schultz
Director of Photography:
Matt Ehling
Editor:
Nevie Owens
Executive Producer:
Justin Corsbie
Craig Garansuay
Legal Services:
Deena Kalai
Line Producer:
Chris Ohlson
Music:
David Schommer
Producer:
Andrew Shinjang Lee
Mitch Schultz
Rick Strassman
Production Design:
Bart Bryant
Production Intern:
Bug Davidson
Jordan Haro
Production Manager:
Kerri Smeltzer
Production Office Assistant:
Kevin Nguyen
Set Designer:
Morgan Gillio
Sound:
Glenn Eanes
Sound Designer:
D.E. Ward
Sound Mixer:
Tom Hammond
VFX Artist:
Spot Draves
Writer:
Rick Strassman
Mitch Schultz
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.