A work in constant progress (and occasional regress).
Release Date:
October 3, 2019
Original Title:
Hope Gap
Alternate Titles:
Ce qui nous sépare
Co przyniesie jutro
Enquanto Houver Amor
Umut Hep Olacak
Wer wir sind und wer wir waren
希望沟壑
海邊走走
우리가 사랑이라고 믿는 것
Genres:
Drama
Production Companies:
Creative Media Investments
Immersiverse
Lipsync Productions
Origin Pictures
Roadside Attractions
Sampsonic Media
Screen Media Films
Screen Yorkshire
Production Countries:
United Kingdom
Ratings / Certifications:
AU: M BR: 12 DE: 6 DK: 11 FR: TP|U GB: 12A HU: 12 IE: 12 JP: G KR: 12 NL: AL NZ: M PL: 16 SE: 7 US: PG-13
Runtime: 100
Grace lives an idyllic life in a British seaside town, but her world soon comes crashing down when her husband of 29 years tells her he's leaving her for another woman. Through stages of shock, disbelief and anger -- and with support from her son -- Grace ultimately regains her footing while learning it's never too late to be happy.
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"B" Camera Operator:
Tom Williams
Doug Walshe
Actor's Assistant:
Jenny Brum
Aerial Camera:
Phil Arntz
Art Direction:
Ben Clements
Assistant Accountant:
Edward Newman
Assistant Editor:
Charlotte Gage
Assistant Grip:
Kurt Fox
Jack Kelly
Assistant Location Manager:
Andrew Henstock
Associate Producer:
Alex Gordon
Best Boy Electric:
Alan Millar
Camera Trainee:
Agnes Aus
Marcel Myrtil
Casting Assistant:
Finnian Tweed
Casting Associate:
Sonia Allam
Casting Director:
Gary Davy
Clapper Loader:
Jonny Stillwell
Mitchell Payne
Lina Rasmussen
Co-Producer:
Joanie Blaikie
Colorist:
Tom Russell
Compositor:
Pedram Razi
Reno Cicero
Garth Reilly
Robert Treen
Andy Quinn
Construction Manager:
Dave Green
Costume Designer:
Suzanne Cave
Costume Standby:
Gemma Bates
Costume Supervisor:
Jen Davies
Dialect Coach:
Penny Dyer
Digital Compositor:
Roni Rodrigues
Valeria Rufa
Digital Imaging Technician:
Steven Rundle
Digital Intermediate:
Andi Chu
Director:
William Nicholson
Director of Photography:
Anna Valdez Hanks
Dressing Prop:
David Hayden
Driver:
Ryan O'Neill
Russell Holmes
Richard Spencer
Stewart Fleming
Drone Pilot:
Steve Peters
Editor:
Pia Di Ciaula
Electrician:
David Mitchell
Jenni Suitiala
Henriette Kristine Jacobsen
Epk Camera Operator:
Dan Faber
Maria Nicholson
Executive Producer:
Matthew Barnes
Peter Hampden
Peter Gould
Norman Merry
Hugo Heppell
Nicolas D. Sampson
Gavin Poolman
Arno Hazebroek
Christos Michaels
Alex Tate
First Assistant Director:
Thomas Bassett
First Assistant Sound Editor:
Lee James
Phil Cape
Floor Runner:
Annabelle Hood
Max Hatfield
Focus Puller:
Kirsten de Maid
Alex Taylor
Matt Hillier
Mike Richardson
Foley Artist:
Rebecca Heathcote
Peter Burgis
Foley Editor:
Adam Oakley
Foley Mixer:
Jemma Riley-Tolch
Gaffer:
Carolina Schmidtholstein
Generator Operator:
Stephen McLean
Graphic Designer:
Rosa Nolan-Warren
Key Grip:
Stuart Gibson
Legal Services:
Reno Antoniades
James Walker
Line Producer:
Karl Hall
Location Manager:
Nardia Hall
Makeup Artist:
Liz Bradbear
Natalie Fox
Makeup Designer:
Melanie Lenihan
Makeup Supervisor:
Laura Lawrence
Music Editor:
Neil Stemp
Pia Di Ciaula
Music Supervisor:
Maggie Rodford
Musician:
Tom Poster
Online Editor:
William Chetwynd
Ben North
Orchestrator:
John Ashton Thomas
Original Music Composer:
Alex Heffes
Payroll Accountant:
Martin Ainscough
Post Production Accountant:
Tarn Harper
Polly Wilby
Post Production Supervisor:
Shuna Frood
Producer:
David M. Thompson
Sarada McDermott
Producer's Assistant:
Jo Wilding
Production Accountant:
Ben Arslanian
Production Assistant:
Theo Macdonald
Rory Hathaway
Production Coordinator:
Lucy Eaton-Whitfield
Production Design:
Simon Rogers
Production Sound Mixer:
Martin Beresford
Property Master:
Duane Marshall
Rigging Gaffer:
Terry Maskell
Screenplay:
William Nicholson
Script Supervisor:
Sharon Ranger
Second Assistant Director:
Chris Marshall
Second Assistant Sound:
Darryl Peat
Second Unit Director of Photography:
Catherine Goldschmidt
Set Decoration:
David Morison
Set Medic:
Jessie Kirby
John Fillingham
Sound Mixer:
Martin Beresford
Sound Re-Recording Mixer:
Robert Farr
James Hayday
Robert Farr
Special Effects Supervisor:
Scott McIntyre
Standby Art Director:
Jen Ainsley
Standby Carpenter:
Adam Fortune
Standby Property Master:
Simon Lee
Warren Ormondroyd
Standby Rigger:
Paul Berry
Steadicam Operator:
Peter Wignall
Doug Walshe
Will Lyte
Still Photographer:
Robert Viglasky
Ludovic Robert
Gareth Gatrell
Stunt Coordinator:
Paul Kennington
Stunt Double:
Stephanie Kerry
Paul Bailey
Supervising Dialogue Editor:
Ben Tat
Supervising Sound Editor:
James Hayday
Third Assistant Director:
Amber Tordoff-Gibson
Title Designer:
Tom Burke
Transportation Captain:
Paul Walton
Unit Manager:
Eleanore Carr
Unit Production Manager:
Kirsten Stoddart
Unit Publicist:
Jonathan Rutter
Eugene O'Connor
VFX Editor:
Manuel Mendes
VFX Supervisor:
Luke Butler
Visual Effects Coordinator:
Lily Knott
Jacqui Marchant-Adams
Visual Effects Producer:
Carrie Rishel
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.