A work in constant progress (and occasional regress).
Release Date:
October 11, 2018
Original Title:
Como Fernando Pessoa Salvou Portugal
Alternate Titles:
Comment Fernando Pessoa sauva le Portugal
Genres:
Comedy
Production Companies:
France Télévisions
Les Films du Fleuve
Noodles Production
O Som e a Fúria
RTP
Production Countries:
Belgium | France | Portugal
Ratings / Certifications:
N/A
Runtime: 27
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Color Grading:
Dirk DeJonghe
Costume Designer:
Patrícia Dória
Director:
Eugène Green
Director of Photography:
Raphaël O'Byrne
Editor:
Valérie Loiseleux
Executive Producer:
Delphine Tomson
First Assistant Director:
Bruno Lourenço
Gaffer:
João Almeida
Makeup & Hair:
Nuno Esteves
Producer:
Luís Urbano
Sandro Aguilar
Julien Nareau
Jean-Pierre Dardenne
Luc Dardenne
Jérôme Vidal
Production Design:
Zé Branco
Production Director:
Patrícia Almeida
Miguel Perdigão
Screenplay:
Eugène Green
Script Supervisor:
Renata Sancho
Second Assistant Director:
Patrick Mendes
Sound Editor:
Benoît De Clerck
Sound Engineer:
Henri Maïkoff
Sound Mixer:
Stéphane Thiébaut
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.