A work in constant progress (and occasional regress).
Release Date:
May 11, 2023
Original Title:
Hypnotic
Alternate Titles:
Domino
Hipnosis
潛眠叛變
Genres:
Mystery | Science Fiction | Thriller
Production Companies:
Double R Productions
Ingenious Media
Solstice Studios
Studio 8
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 16 CZ: 15+ DE: 16 DK: 15 ES: 16 FR: 12 GB: 15 HK: IIA IE: 15A IT: 6+ JP: G LT: N-16 MX: B NZ: R13 PL: 16 PR: R RU: 16+ SG: NC16 SK: 15 TH: 15 TR: 13+ US: R
Runtime: 93
A detective becomes entangled in a mystery involving his missing daughter and a secret government program while investigating a string of reality-bending crimes.
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"A" Camera Operator:
Dave Anglin
Additional Music:
John Debney
Additional Second Assistant Director:
A. Brooks Medoff
Art Direction:
Paul Alix
Assistant Editor:
Raven Rodriguez
Assistant Makeup Artist:
Sylvia Ramos
Associate Producer:
Audrey Tommassini
Best Boy Electric:
Robyn Greer
Boom Operator:
Lesa Foust
Casting:
Mary Vernieu
Michelle Wade Byrd
Co-Executive Producer:
Ryan Basford
Court Coursey
Caylee Cowan
Co-Producer:
Justin Moritt
Construction Coordinator:
Alan Allinger
Costume Design:
Nina Proctor
Costume Supervisor:
Kathy Kiatta
Dialogue Editor:
Korey Pereira
Director:
Robert Rodriguez
Director of Photography:
Robert Rodriguez
Pablo Berron
Dolly Grip:
Steve Urban
Aaron Atom Vyvial
Editor:
Robert Rodriguez
Executive Producer:
Mark Williams
Crystal Bourbeau
Vincent Bruzzese
Christelle Conan
Walter Josten
Christopher Milburn
Ben Ormand
James Portolese
Joshua Throne
Peter Touche
Jordan Wagner
Gareth West
Maitreya Yasuda
First Assistant "A" Camera:
Shaun Mayor
First Assistant "B" Camera:
Ethan McDonald
First Assistant Director:
Jeremy Phoenix
First Assistant Editor:
Jay Mahavier
Foley Artist:
Catherine Harper
Rick Owens
Foley Mixer:
John Sanacore
Gaffer:
Todd Smiley
Greensman:
Granger Coats
Grip:
Reynaldo Diaz
Chachie Hood
Thomas Whiteside
Key Costumer:
Yvonne Wilburn
Key Grip:
Joe Vasquez
Key Hair Stylist:
Beth Lloyd
Key Makeup Artist:
Hannah Handshy
Makeup Artist:
Elinia Eads
Trish Seeney
Makeup Department Head:
Jenny Lin
Music Editor:
Tim Rakoczy
Original Music Composer:
Rebel Rodriguez
Post Production Supervisor:
Edward Churchward
Producer:
Lisa Ellzey
Mark Gill
Robert Rodriguez
Jeff Robinov
Guy Danella
John Graham
Production Design:
Caylah Eddleblute
Steve Joyner
Property Master:
Jason Hammond
Rigging Gaffer:
Raul Mello
Screenplay:
Robert Rodriguez
Max Borenstein
Script Supervisor:
Monika Petrillo
Second Assistant "A" Camera:
Arthur Zajac
Second Assistant "B" Camera:
Evan Ho
Second Assistant Director:
Jeremy Reisig
Second Second Assistant Director:
Derek Franzese
Set Costumer:
Alexandria Candelas
Set Decoration:
David Hack
Cynthia Anne Slagter
Set Decoration Buyer:
Robin Simmerly
Set Designer:
Travis Benavides
Megan Gibson
Set Dresser:
Lance Bradley
Levi Kilgore Jr.
Ethan Emmett Matheson
Nevada Newman
Sound Designer:
Angelo Palazzo
Clark Crawford
Sound Mixer:
Ethan Andrus
Special Effects Supervisor:
Bob Trevino
Stand In:
Nicholas Ortiz
Ryan Murphy
Steadicam Operator:
Benjamin Verhulst
Still Photographer:
Ryan Green
Story:
Robert Rodriguez
Stunt Coordinator:
Rockey Dickey Jr.
Ryan Ryusaki
Stunt Double:
Jeremy Fitzgerald
Mandy Kowalski
Skyler Millicano
Tiana Webberley
Stunts:
Christopher M. Campos
Zack Duhame
Bri Marie Korin
Josh Vinyard
Supervising ADR Editor:
David V. Butler
Supervising Dialogue Editor:
David V. Butler
Supervising Sound Editor:
Tim Rakoczy
Transportation Coordinator:
Bret Stewart
Utility Sound:
Richard Hamilton
VFX Editor:
Clint Beckwith
Visual Effects Coordinator:
Obi Ariguzo
Visual Effects Producer:
Rebecca West
Garrett Fallin
Visual Effects Supervisor:
Joel Sevilla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.