A work in constant progress (and occasional regress).
Release Date:
March 21, 2017
Original Title:
Antö
Genres:
Science Fiction
Production Companies:
TRES Cinematografía
Production Countries:
Venezuela
Ratings / Certifications:
N/A
Runtime: 15
Three women await the transport to travel the only place in the planet where they are allowed screaming.
Additional Editor:
Luis Ascanio
Diego Cardier
Gustavo Rondón
Art Department Production Assistant:
Georgette Bulgaris
Art Direction:
Gabriela Vilchez
Assistant Camera:
Abraham Cova
Assistant Costume Designer:
Francisco Rondon
Assistant Director:
Mario Rodriguez
Assistant Makeup Artist:
Tania Matheus
Associate Producer:
Edgar Ramírez
Boom Operator:
David Rojas
Chief Lighting Technician:
Denis Nieves
Cinematography:
Junior Gonzalez
Co-Producer:
J. René Guerra
Colorist:
Luis Ascanio
Compositing Artist:
Luis Alberto Alarcón
Christine Rockenbach
Coordinating Producer:
Natalia Rasquin
Daniela Cadenas
María Fernanda Robaina
Costume Design:
Luisa Jacinta Aveledo
Director:
Joe Torres
J. René Guerra
Editor:
Miguel Ángel García
Electrician:
Williams Aragón
Executive Producer:
Claudia Lepage
Focus Puller:
Jean Carlos García
Gaffer:
Jairo Vargas
Graphic Designer:
Héctor Do Nascimento
Legal Services:
Raúl Bravo
Location Manager:
María Carolina Ocque
Makeup Department Head:
Marisabel Dávila
Music:
Luis Miguel Emmanuelli
Online Editor:
Luis Ascanio
Producer:
Marcel Rasquin
Juan Antonio Diaz
Joe Torres
Production Assistant:
Rebeca Chacón
Raimundo Lima
Production Coordinator:
Melissa Ávila
Production Design:
Marcelo Pont Vergés
Production Director:
Yannine Poleo
Prop Designer:
Jerry Maneiro
Props:
Celina Morffes
Rotoscoping Artist:
Dester Linares
Script Coordinator:
Paloma Azpúrua
Security:
Esther Saenz
Sound:
Lino Ocando Colmenares
Sound Designer:
Erik Aldrey
Luis Miguel Emmanuelli
Sound Mixer:
Erik Aldrey
Steadicam Operator:
Elvis Carvajal
Still Photographer:
Danas Macijauskas
Stephany Saavedra
Transportation Captain:
Gerardo Velásquez
Visual Effects Supervisor:
Evans Briceño
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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