A work in constant progress (and occasional regress).
Release Date:
January 10, 1976
Original Title:
Salò o le 120 giornate di Sodoma
Alternate Titles:
120 meres sta Sodoma
120 μέρες στα Σόδομα
Maheedhar
Pier Paolo Pasolini's Salò
Salo - De 120 dagen van Sodoma
Salo eller Sodomas 120 dager
Salo ili 120 dana Sodome
Salo jeb 120 Sodomas dienas
Salo sau cele 120 de zile ale Sodomei
Salo, 120 meres sta Sodoma
Salo, avagy Szodoma 120 napja
Salo, or the 120 Days of Sodom
Salo: Les 120 Jours de Sodome
Salò
Salò - Sodoman 120 päivää
Salò eller Sodoms 120 dagar
Salò o los 120 días de Sodoma
Salò, czyli 120 dni Sodomy
Salò, o las 120 jornadas de Sodoma
Salò, ou os 120 Dias de Sodoma
Saló
Saló o los 120 días de Sodoma
Сало или 120те дни на Содом
ソドムの市
Genres:
Drama | Horror | War
Production Companies:
Les Productions Artistes Associés
PEA
Production Countries:
France | Italy
Ratings / Certifications:
AR: 18 AU: RC|R 18+ BR: 18 CZ: 18+ DE: 18 ES: 18 FI: K-18 FR: 16 GB: 18 HU: 18 IT: 18+ MX: D NL: 16 PL: 18 PT: M/18 SE: 15
Runtime: 116
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2012 #75 |
Directors' Top 100 Poll
Greatest Films of All Time |
Administration:
Pietro Innocenti
Maurizio Forti
Assistant Editor:
Ugo De Rossi
Alfredo Menchini
Boom Operator:
Giuseppina Sagliano
Camera Operator:
Carlo Tafani
Emilio Bestetti
Costume Assistant:
Vanni Castellani
Costume Design:
Danilo Donati
Director:
Pier Paolo Pasolini
Director of Photography:
Tonino Delli Colli
Draughtsman:
Maria Teresa Barbasso
Editor:
Nino Baragli
First Assistant Camera:
Sandro Battaglia
First Assistant Director:
Umberto Angelucci
Hairstylist:
Giusy Bovino
Makeup Artist:
Osvaldo Desideri
Alfredo Tiberi
Music:
Ennio Morricone
Music Consultant:
Ennio Morricone
Musician:
Arnaldo Graziosi
Novel:
Donatien Alphonse François de Sade
Painter:
Italo Tomassi
Post Production Coordinator:
Enzo Ocone
Presenter:
Alberto Grimaldi
Producer:
Alberto De Stefanis
Alberto Grimaldi
Antonio Girasante
Production Design:
Dante Ferretti
Production Manager:
Antonio Girasante
Production Supervisor:
Angelo Zemella
Alessandro Mattei
Renzo David
Publicist:
Nico Naldini
Script Supervisor:
Beatrice Banfi
Second Assistant Camera:
Giancarlo Granatelli
Second Assistant Director:
Fiorella Infascelli
Set Decoration:
Osvaldo Desideri
Sound:
Giorgio Loviscek
Domenico Pasqua Di Bisceglie
Sound Effects Editor:
Massimo Anzellotti
Sound Mixer:
Fausto Ancillai
Special Effects:
Alfredo Tiberi
Still Photographer:
Deborah Imogen Beer
Thanks:
Simone de Beauvoir
Maurice Blanchot
Philippe Sollers
Roland Barthes
Pierre Klossowski
Unit Manager:
Alberto De Stefanis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.