A work in constant progress (and occasional regress).
Release Date:
July 12, 2019
Original Title:
Trespassers
Alternate Titles:
Hell Is Where the Home Is
Вторженцы
Genres:
Crime | Horror | Thriller
Production Companies:
1inMM Productions
The Hallivis Brothers
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 KR: 청소년 관람불가
Runtime: 88
Two dysfunctional couples rent a modern luxury desert home for the weekend hoping to sort out their messed-up lives. Just as they are about to settle in for a fun night, a neighbor turns up at their front door saying she has car trouble. But soon they discover the person they let into their home may have nefarious intents.
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Art Direction:
Christian Corio
Boom Operator:
Anthony Carlos
Casting:
Jessica Sherman
Cinematography:
Noah Rosenthal
Costume Design:
Stephanie Powers
Director:
Orson Oblowitz
Editor:
Brett Solem
Executive Producer:
Anne Clements
Sonny Mallhi
First Assistant Director:
Dave Halls
Foley Artist:
Armin Karbaf
Foley Recordist:
Mehrnaz Mohabati
Key Makeup Artist:
Leslie Humphrey
Line Producer:
Nicole Flores
Makeup Department Head:
Brittany White
Original Music Composer:
Jonathan Snipes
Producer:
Diego Hallivis
Julio Hallivis
Production Accountant:
Jennifer M. Byrne
Production Design:
Mike Conte
Second Assistant Director:
Mark Jopling
Set Decoration:
Steven Kiratsous
Sound Effects Editor:
Justin M. Green
Sound Mixer:
Alex Goens
Sound Re-Recording Mixer:
John Warrin
Special Effects Makeup Artist:
Josh Russell
Sierra Russell
Steadicam Operator:
David Shawl
Stunt Coordinator:
Tim Mikulecky
Stunt Double:
Douglas Tait
Tara Macken
Alice Rietveld
Natasha Paul
Supervising Sound Editor:
Ugo Derouard
Visual Effects:
Jake Akuna
Writer:
Corey Deshon
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.