A work in constant progress (and occasional regress).
Release Date:
August 18, 2018
Original Title:
Pearl in Paradise
Genres:
Romance | TV Movie
Production Companies:
Incendo Productions
The Cartel
The MrG Production Company
Production Countries:
Canada | United States of America
Ratings / Certifications:
DE: 6
Runtime: 80
Magazine photographer Alex Anderson and author Colin Page head to Fiji in search of the illusive blue pearl that Colin wrote about in his bestselling novel Pearl in Paradise. Alex stands to land the creative director position if she can photograph the pearl for the magazine’s 30th anniversary issue, and Colin hopes that by writing a guest article about the long-lost gem he can boost sales of his failing other books and not lose his publisher. As the two head off to their search, neither is aware yet that finding love could be the rarest adventure of all.
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"A" Camera Operator:
Björn Hermannes
"B" Camera Operator:
Greg Coletti
ADR Editor:
James Parnell
ADR Mixer:
Jacob Ortiz
ADR Supervisor:
Jacob Ortiz
Assistant Accountant:
Shawn Tep
Omar Steven Martinez
Assistant Editor:
Lian McFalls
Assistant Property Master:
Sisilia Seviua
Assistant Sound Editor:
Joshua Crisci
Best Boy Electric:
Robbie Burr
Best Boy Grip:
Aaron Rapira
Casting:
Penny Perry
Ben Parkinson
Co-Executive Producer:
Anthony Fankhauser
Scott Cohen
Construction Foreman:
Feroz Buksh
Costume Designer:
Brianna Murphy
Craft Service:
Ravneet Singh
Dialogue Editor:
Jacob Ortiz
Digital Imaging Technician:
Michael Nakaima
Digital Intermediate Colorist:
Luke Cahill
Director:
Gary Yates
Director of Photography:
Tyler Walzak
Editor:
Heath Ryan
Electrician:
Timoci Saqanatotoka Wilisoni
Josh Jenkins
Fred Leota
Executive Producer:
Alexandre Coscas
Michael R. Goldstein
Eric Scott Woods
Stan Spry
First Assistant "A" Camera:
Lauren Peele
First Assistant "B" Camera:
Joe Gunawan
First Assistant Director:
David Carruthers
Foley Artist:
Lorita de la Cerna
Foley Editor:
Alexander Jongbloed
Foley Mixer:
Shelby Hatlevig
Gaffer:
Glen Jenkins
Grip:
Jone Nayaloga
Aporosa Robe
Hair Department Head:
Megan Nicoll
Key Costumer:
Audrey Elliott
Key Grip:
Greg Tidman
Key Makeup Artist:
Prell Charusanti
Leadman:
Willie Mathewsill
Location Manager:
Chrystalle King
Makeup Department Head:
Megan Nicoll
Music:
Corey Allen Jackson
Aldo Shllaku
Music Supervisor:
Lexy Brewer
Online Editor:
Sean Meyers
Payroll Accountant:
Shivani Sharma
Post Production Coordinator:
Wei Wilson
Post Production Supervisor:
Melinda Wells McCabe
Production Accountant:
Wendy Sill
Production Coordinator:
Samantha DeGagne
Production Design:
Brendan Turrill
Property Master:
Sinu Naulumatua
Script Supervisor:
Kennedy Del Toro
Second Assistant "A" Camera:
Avito Namarua
Second Assistant "B" Camera:
Gus Henry Ali
Second Assistant Director:
Josh Brown
Second Second Assistant Director:
Joey Monsey
Set Decoration:
Deanna Simmons
Set Dresser:
Save Tabualevu
Set Medic:
Paula Toroua
Sound Effects Editor:
Xiang Li
G.W. Pope III
Henry Maynard
Sound Mixer:
Alexander X. Hutchinson
Sound Re-Recording Mixer:
Lisa Baro
Still Photographer:
Allen Stephen
Story:
Christine Conradt
Jennifer Notas Shapiro
Stunt Coordinator:
Rodney Cook
Supervising Sound Editor:
Trip Brock
Transportation Coordinator:
Anil Datt
Unit Manager:
Marie Koroi
Unit Production Manager:
John Mehrer
VFX Artist:
Christian McIntire
Visual Effects Producer:
Scott Wheeler
Wardrobe Assistant:
David Solomon
Writer:
Christine Conradt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.