A work in constant progress (and occasional regress).
Release Date:
November 29, 2007
Original Title:
החוב
Alternate Titles:
Ha-Hov
The Debt
Genres:
Drama | Thriller
Production Companies:
Evanstone Films Ltd.
Pronto Film
Production Countries:
Israel
Ratings / Certifications:
N/A
Runtime: 92
The year is 1964. Rachel Brener is one of 3 young Mossad agents teem who caught "THE SURGEON OF BIRKENAU" - a Nazi monster who was never brought to trial in Israel. The official reason was that he was shot to death while trying to escape from Israeli captivity in a safe house somewhere in Europe. 30 years after, the well communicated death story of the monster could be questionable, a small article appears in a local unimportant paper in a small town in Ukraine. Surprisingly the Surgeon is ALIVE and is willing to admit his crimes against the human race and especially the Jews. The 3 older x Mossad agents who are in their late 60th became aware to this unfortunate threatening knowledge. The fact was that the "Surgeon" managed to escape from his guards 30 years ago.
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Boom Operator:
Alex Epstine
Camera Operator:
Mykola Yefymenko
Casting:
Ella Smolenko
Esther Kling
Co-Producer:
Assaf Bernstein
Ido Rosenblum
Amalia Rosenblum
Costume Design:
Inbal Shuki
Dialogue Editor:
Ronen Nagel
Director:
Assaf Bernstein
Director of Photography:
Giora Bejach
Editor:
Einat Glaser-Zarhin
Editorial Staff:
Nahdi Lazar
Foley Artist:
Gil Segal
Foley Editor:
Neal Gibbs
Gil Segal
Gaffer:
Avi Dassberg
Key Grip:
Guy Ne’eman
Makeup Artist:
Maria Pylunska
Makeup Department Head:
Anna Lukashenko
Music:
Jonathan Bar-Giora
Producer:
Eitan Evan
Sound Designer:
Aviv Aldema
Sound Re-Recording Mixer:
Israel David
Still Photographer:
Yoni Hamenachem
Supervising Sound Editor:
Aviv Aldema
Writer:
Assaf Bernstein
Ido Rosenblum
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.