A work in constant progress (and occasional regress).
Release Date:
September 30, 2018
Original Title:
無雙
Alternate Titles:
Egy megfoghatatlan hamisító
Mo seung
Mou seung
Nepolapitelný padělatel
Project Gutenberg
Project Gutenberg (2018)
Project Gutenberg: Gansatsu-Ou
The Counterfeiter
プロジェクト・グーテンベルク 贋札王:2018
无双
無雙
Genres:
Action | Crime | Mystery
Production Companies:
A Really Happy Film
Alibaba Pictures Group
Bona Film Group
Distribution Workshop
Emperor Motion Pictures
Huaxia Film Distribution
Pearl River Film Studio
Production Countries:
China | Hong Kong
Ratings / Certifications:
HK: IIB JP: PG12 US: R
Runtime: 130
The Hong Kong police is hunting a counterfeiting gang led by a mastermind code-named "Painter" . The gang possesses exceptional counterfeiting skills which makes it difficult to distinguish the authenticity of its counterfeit currency. The scope of their criminal activities extends globally and greatly attracts the attention of the police. In order to crack the true identity of "Painter", the police recruits a painter named Lee Man to assist in solving the case.
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"B" Camera Operator:
Nathan Wong
"C" Camera Operator:
Tyler Meehan
Art Direction:
Leon Sher
Assistant Director Trainee:
Thomas Ma
Assistant Production Manager:
Nadia DiMofte
Camera Operator:
Alexei Berteig
Director:
Felix Chong
Director of Photography:
Jason Kwan
Editor:
Curran Pang
First Assistant Director:
Ricky Ko
Hair Department Head:
Miranda Upton
Makeup Department Head:
Carmen Tse
Music:
Day Tai
Producer:
Ronald Wong
Ellen Cheung Man-Wing
Costa Vassos
Second Assistant Camera:
Randy Meehan
Teeravit Pirompapachok
Set Decoration:
Steph Lee
Steadicam Operator:
Nathan Wong
Still Photographer:
Katie Yu
Writer:
Felix Chong
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.