A work in constant progress (and occasional regress).
Release Date:
November 17, 2022
Original Title:
Die Boten des Todes
Alternate Titles:
Grimms Kinder - Die Boten des Todes
Genres:
Horror
Production Companies:
Wizzard Entertainment
Production Countries:
Germany
Ratings / Certifications:
DE: 16
Runtime: 104
The story revolves around Hans, a kind-hearted but not particularly bright young man. He is bored on his father's farm. He would love to see something of the world and find a woman to marry. So he sets off and wants to visit his grandmother at the same time. However, the route takes him right through the fairytale land of the Brothers Grimm, where he meets various characters from their stories: Cinderella, Sleeping Beauty, Rumpelstiltskin, Mother Hulda, the Brave Little Tailor, Puss in Boots, Master Pfriem and, finally, Father Death. The latter is a little under the weather and the unsuspecting Hans helps him back on his feet.
Art Designer:
Sascha Fidyka
Assistant Camera:
Julius Buchenberger
Director:
Thomas Pill
Director of Photography:
Benjamin Gaul
Stefan Zieher
Editor:
Franz Bölicke
Original Music Composer:
Luigi-Maria Rapisarda
Producer:
Thomas Pill
Thanks:
Thomas Goersch
Unit Manager:
Behrus Yazdanfar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.