A work in constant progress (and occasional regress).
Release Date:
June 22, 2018
Original Title:
Baba Nerdesin Kayboldum
Genres:
Drama
Production Companies:
Öncesi ve Sonrası Film
Production Countries:
Turkey
Ratings / Certifications:
N/A
Aşkın, who had been working in the film industry for a long time, was unable to fulfill his dreams and returned to his hometown after his father's death. He found himself right in the middle of the life he had rejected years ago. Everything seemed frozen in time. Is the departure of a father the cause of destruction? Why does a generation whose dreams have vanished seek a place for themselves in a world they wish to change? The games played to maintain the status quo continue to repeat themselves. How can Aşkın cope with his old-new life? Can a woman's love help a man caught in mental conflict find his way out and turn back time? Why do we feel ashamed of the truth, because we hide it? Can love build a new life within the ever-narrowing circle, between his family, his friend Ali, and Oya, who has made it her mission to change him?
Art Direction:
Nilüfer Evingen
Co-Producer:
Canan Karaman
Colorist:
Burak Turan
Ercan Küçük
Digital Imaging Technician:
Tayfun Turnatör
Director:
Ahmet Karaman
Director of Photography:
Cem Geneşke
Editor:
Aziz Imamoglu
Focus Puller:
Gökhan Can Güzel
Lighting Director:
Erkan Murat
Makeup Artist:
Ayşegül Şahin
Music:
Cem Kısmet
Post Production Supervisor:
Aziz Imamoglu
Production Design:
Aydan Çınar
Production Manager:
Hüseyin Almaz
Senior Colorist:
Cenk Erol
Çağrı Özdal
Sound:
Tolga Turgay Uygur
Sound Designer:
Fergün Urgancıoğlu
VFX Artist:
Berat Türkbıkmaz
Ergin İshakoğlu
Erdem Gonulay
Onur Altınışık
Sercan Agbaba
Mehmet Barış Özgüç
Emine Yolcu
VFX Production Coordinator:
Sema Duran
VFX Supervisor:
Volkan Duran
Writer:
Ahmet Karaman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.