A work in constant progress (and occasional regress).
Release Date:
February 16, 2018
Original Title:
Kuchh Bheege Alfaaz
Alternate Titles:
Kuch Bheegay Alfaz
Genres:
Drama | Romance
Production Companies:
Saregama India
Yoodlee Films
Production Countries:
India
Ratings / Certifications:
IN: UA
Runtime: 116
Every night at 10, Kolkata tunes into radio to listen to 'Kuchh Bheege Alfaaz' - an episodic series of unrequited love stories hosted by RJ Alfaz who, despite his tremendous following, prefers staying detached and anonymous. Among his many fans is the boisterous Archana, a girl working at a creative agency – which designs branded memes. She is leukodermic but lives life to the fullest. They meet; or rather talk, for the first time over a misplaced call, when Archana accidentally dials Alfaaz's number, while trying to connect with her latest blind date. Thus begins an interesting relationship between two unlikely characters, one overly compensating, but in denial of her present, and the other buried under a dark secret of his past.
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ADR Engineer:
Arpit Chandra
Assistant Director Trainee:
Vivek Shinde
Casting Associate:
Swapnil Mishra
Cinematography:
Nusrat Jafri
Colorist:
Prashant Sharma
Creative Producer:
Shoaib Lokhandwala
Director:
Onir
Editor:
Irene Dhar Malik
Executive Producer:
Gaurav Sharma
Sahil Sharma
First Assistant Camera:
Krishna Mohan Khare
First Assistant Director:
Chakshu Arora
Foley Artist:
Abhijeet V. Sapre
Line Producer:
Rahul Bhanja
Music:
Shashwat Srivastava
Producer:
Siddharth Anand Kumar
Vikram Mehra
Production Supervisor:
Vivek Shinde
Screenplay:
Abhishek Chatterjee
Second Assistant Camera:
Tania Mukhopadhyay
Second Assistant Director:
Jyugal Soni
Sound Designer:
Arun Nambiar
Sound Editor:
Shashwath Jagadeesh
E.J. Thomas
Sound Mixer:
Pradyumna Chaware
Sound Re-Recording Assistant:
Justin E Thomas
Sound Re-Recording Mixer:
Subir Kumar Das
Story:
Abhishek Chatterjee
Supervising Sound Editor:
Aditya Yadav
Writer:
Abhishek Chatterjee
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.