A work in constant progress (and occasional regress).
Release Date:
April 17, 2020
Original Title:
Bad Therapy
Alternate Titles:
Terapia de Casal
Терапия с приветом
Genres:
Comedy | Drama
Production Companies:
Teitler Film
Varient
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 US: NR
Runtime: 98
Married couple Bob and Susan Howard decide to see a marriage counselor named Judy Small, who appears trustworthy but harbors dark and conflicted impulses.
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Additional Editing:
Isabel Teitler
Additional First Assistant Camera:
Timothy Clarke
Additional Set Dresser:
Travis Sullivan
Art Department Production Assistant:
Lukas Kozewski
Assistant Editor:
Luis Cuevas
Assistant Hairstylist:
Marc Mapile
Assistant Makeup Artist:
Kristina Goldberg
Assistant Sound Editor:
Rachel Wardell
Associate Producer:
Sandra Leong
David Leonard
Best Boy Electric:
Dominic D'Astice
Best Boy Grip:
Danny Roy
Boom Operator:
Danny Maurer
Casting:
Emily Schweber
Avy Kaufman
Casting Associate:
M'Saada Nia
Jennifer Levy
Leeba Zakharov
Co-Producer:
Eric Cook
Costume Assistant:
Ysabel Riina
Costume Designer:
Aggie Guerard Rodgers
Costume Supervisor:
Molly Irelan
Costumer:
Chanèle Casaubon
Craft Service:
Kelsey Rose
Nicole Klepper
Dialogue Editor:
Michael Feuser
Eliza Paley
Digital Colorist:
Andrew Francis
Digital Intermediate Assistant:
Charles Leighton
Digital Intermediate Editor:
Patrick DeVine
Digital Intermediate Producer:
Adam Sonnenfeld
Director:
William Teitler
Director of Photography:
Rob Givens
Driver:
Jacob Davidson
John Escobedo Sr.
Miroslav Kogosov
Nathan Krosley
Ron Quitevis
Drone Operator:
Josh Hack
Editor:
David Leonard
Electrician:
Edward Scully
Ryan 'Sparks' Lynch
Executive Producer:
Lisa Van Allsburg
Kyle Heller
Rob Corddry
Extras Casting:
Kris Hutchinson
Ali Watters
First Assistant "A" Camera:
Nick Fischer
First Assistant Director:
Aaron Steele-Nicholson
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Gaffer:
Jason Goodell
Grip:
Adrian Estrella
Hair Department Head:
Porshawna Mosely
Imaging Science:
Bill Feightner
In Memory Of:
Sondra Locke
Key Grip:
James Wilder Hancock
Key Set Production Assistant:
Madeline G. Phelps
Leadman:
Sean Spillane
Line Producer:
Brooks Kephart
Loader:
P.J. Russ
Location Assistant:
Mark Miskell
Location Manager:
Lisa Wax
Makeup Department Head:
Ana Lozano
Music Editor:
Jordan L. Ross
Music Supervisor:
Angela Asistio
Musician:
Gerda Holmqvist
Illiana Larsdottir
Svala Gregorsson
Yuval Lion
Hans-Inge Magnusson
Sonja Labianca
Novel:
Nancy Doyne
On Set Dresser:
Jeremy Kiddle
Original Music Composer:
Nathan Larson
Post Production Accountant:
Pete Hayes
Post Production Supervisor:
Straw Weisman
Producer:
William Teitler
Gina Resnick
Production Accountant:
Blaine G. Houserman
Production Coordinator:
James Wallace
Cesar Castillo
Production Design:
Alison Sadler
Production Secretary:
Serena Saylors
Production Sound Mixer:
Bartek Swiatek
Property Master:
Brian Heinberg
Screenplay:
Nancy Doyne
Script Supervisor:
Melanie Lavender
Second Assistant Camera:
Matt Berbano
Second Assistant Director:
Clenét Verdi-Rose
Kevin Huie
Second Second Assistant Director:
Corinne Wedlake
Judd Greener
Security:
Chicago Cruse
Troy Joyner
Alex Sandoval
Henry Brown
Reggie Hill
Set Decoration:
Doran Meyers
Set Medic:
Jade Jansen
Chris Serafin
Set Production Assistant:
Andrew Pitts
Artie Gonzales
Frederick Gourgue
Savannah Salter
Sound Effects Editor:
Larry Zipf
Wyatt Sprague
Sound Re-Recording Mixer:
Larry Zipf
Still Photographer:
Tina Thorpe
Michael A. Desmond
Studio Teacher:
Marcy Brooks
Stunt Coordinator:
Cole S. McKay
Stunt Double:
Patrick J. Statham
Supervising Sound Editor:
Skip Lievsay
Swing:
Zach Takacs
Drew Crawle
Transportation Coordinator:
Johnny Escobedo Jr.
Unit Production Manager:
Brooks Kephart
Utility Stunts:
Patrick J. Statham
VFX Artist:
David M. Blum
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.