A work in constant progress (and occasional regress).
Release Date:
May 12, 2017
Original Title:
Tangles and Knots
Alternate Titles:
Tangles & Knots
Genres:
Drama
Production Companies:
JARS Productions
Paper Moose
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 17
Set in the height of summer in Sydney, Australia, the story follows a unique, intimate relationship between a mother, Michelle and her teenage daughter, Laura. They act more like girlfriends together than parent and child. This relationship becomes threatened when the mother helps her daughter throw a house party to impress new, more popular friends. She gains admiring looks from her daughter's guests. Both of them notice it, and it makes them uncomfortable. As their relationship unravels throughout the night, a much more sinister threat emerges that will jeopardize their bond forever.
Assistant Editor:
Walter Radcliffe
Associate Producer:
Melina Maraki
Casting Director:
Stevie Ray
Co-Producer:
Kristin Frost
Continuity:
Oliver Levi-Malouf
Costume Designer:
Lucia Arias-Martinez
Dialogue Editor:
Ben Chesneau
Director:
Renee Marie Petropoulos
Director of Photography:
Zoƫ White
Editor:
Renee Marie Petropoulos
Chelsea Taylor
Executive Producer:
Alexandra Petropoulos
First Assistant Director:
Stefanie Foerster
Location Manager:
Alexandra Petropoulos
Makeup & Hair:
Candice Hickson
Post Production Supervisor:
Melina Maraki
Producer:
Yingna Lu
Janet Brown
Production Design:
Diva Abrahamian
Set Dresser:
Ella Morgan
Sound Designer:
Eli Cohn
Sound Effects Editor:
Maya Peart
Sound Re-Recording Mixer:
Eli Cohn
Sound Recordist:
Pete Dulahunty
Stunt Coordinator:
Tony Lynch
Unit Production Manager:
Yingna Lu
Writer:
Renee Marie Petropoulos
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.