A work in constant progress (and occasional regress).
Release Date:
September 29, 2022
Original Title:
Dalíland
Alternate Titles:
Dali Land
Daliland
ウェルカム トゥ ダリ
Genres:
Drama | History
Production Companies:
Neon Productions
Popcorn Group
Pressman Film
Room 9 Entertainment
Serein Productions
Zephyr Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
AU: M CH: 16 DE: 16 FR: 12 GB: 15 HK: IIB IT: T|6+ JP: PG12 KR: 15 LT: N-13 NZ: M PL: 16 RO: 18 RU: 18+ US: NR
Runtime: 97
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.
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"B" Camera Operator:
Robert Beck
ADR Editor:
Adrian Sandu-Yota
ADR Mixer:
Sam Auguste
Oliver Vorderbruegge
Rodrigo Galvan
Michael McDade
Dean St. John
Jeff Hinton
Mark Appleby
Matthew Kallen
ADR Voice Casting:
Phoebe Scholfield
Additional Editing:
Andrew Hafitz
Art Department Assistant:
Emily Beswarick
Art Direction:
Caterina Vanzi
Assistant Set Decoration:
Anna Souter
Associate Producer:
Anya Ryzhenkova
Best Boy Lighting Technician:
Jan Sykes
Boom Operator:
Justin Wilkinson
Camera Trainee:
Josh Haigherty
Carpenter:
Craig McChesney
Casting:
Colin Jones
Kerry Barden
Paul Schnee
Casting Associate:
Marta Noguera
Rachel Goldman
Roya Semnanian
Co-Producer:
Carol Bidault de L'Isle
Simon Moseley
Colorist:
Matthew Troughton
Construction Manager:
James Waddingham
Costume Designer:
Hannah Edwards
Dialogue Editor:
Adrian Sandu-Yota
Digital Imaging Technician:
Dylan Evans
Director:
Mary Harron
Director of Photography:
Marcel Zyskind
Editor:
Alex Mackie
Executive Producer:
Hannah Leader
Jon Katz
Ben Kingsley
Marc Iserlis
Paula Paizes
Philip Colbert
Charlotte Colbert
Michael R. Newman
Munkhtulga Od
First Assistant "A" Camera:
Rami Bartholdy
First Assistant "B" Camera:
Danny Mendieta
First Assistant Director:
Davy Hughes
First Assistant Editor:
Victoria Bate
Foley Supervisor:
Alex Joseph
Gaffer:
Paul Sykes
Graphic Designer:
Bethaney Mills
Hair Designer:
Suzanne Stokes-Munton
Hair Supervisor:
Angela Oxley Evans
In Memory Of:
Edward R. Pressman
Key Grip:
Guy Smith
Lighting Technician:
Mike Mahon
Lewis Bolland
Location Assistant:
Georgia Cheers-Aslanian
Stu Hamilton
Seamus Fitzgerald
Location Manager:
Stephen Cheers
Makeup & Hair:
Natalia Leniartek
Caroline Rose
Makeup Designer:
Suzanne Stokes-Munton
Makeup Supervisor:
Angela Oxley Evans
Original Music Composer:
Edmund Butt
Petty Cash Buyer:
Alexandra Morton
Post Production Supervisor:
Jennifer Eriksson
Producer:
Edward R. Pressman
David O. Sacks
Chris Curling
Daniel Brunt
Sam Pressman
Production Accountant:
Richard Hyland
Production Coordinator:
Ali Coulson
Hannah Cross
Production Design:
Isona Rigau
Production Runner:
Elle Berry
Production Secretary:
Natasha Vincent
Property Master:
Jim Mate
Scott Howe
Script Supervisor:
Sharon Ranger
Second Assistant "A" Camera:
Jessica Oxley
Second Assistant "B" Camera:
Jessica Gowing
Second Assistant Director:
Guy Barker
Set Decoration:
Tanya Bowd
Set Dresser:
Frederick Duran-Sorda
Gareth Fox
Set Production Assistant:
Louis Reeves
Courtney Evans
Sound Designer:
Andrew Neil
Sound Effects Editor:
Frank Lipson
Sound Re-Recording Mixer:
Andrew Neil
Sound Recordist:
Gary Desmond
Special Effects Supervisor:
Paul Chandler
Tony Hensall
Standby Art Director:
Tony Boffey
Standby Property Master:
Yvonne Lloyd
Amy Richardson
Steadicam Operator:
Robert Beck
Stunt Coordinator:
Andy Merchant
Gary Kane
Stunt Double:
David Newton
Gary Kane
Heather Phillips
Supervising Sound Editor:
Richard Kondal
Third Assistant Director:
Emily Prieditis
Unit Manager:
Tom Holt
VFX Artist:
Antoni Zakheos
Maksym Poda
Artem Isaakyan
Domantas Lukosius
George Isaakian
Mark Yfantidis
Visual Effects Producer:
Dasha Sherman
Visual Effects Supervisor:
Menelaos Pampoukidis
Wardrobe Supervisor:
Jo Thompson
Writer:
Mary Harron
John C. Walsh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.