A work in constant progress (and occasional regress).
Release Date:
September 29, 2022
Original Title:
Dalíland
Alternate Titles:
Dali Land
Daliland
ウェルカム トゥ ダリ
達利:慾望之謎
Genres:
Drama | History
Production Companies:
Neon Productions
Popcorn Group
Pressman Film
Room 9 Entertainment
Serein Productions
Zephyr Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
AU: M CH: 16 DE: 16 FR: 12 GB: 15 HK: IIB IT: T|6+ JP: PG12 KR: 15 LT: N-13 NZ: M PL: 16 RO: 18 RU: 18+ US: NR
Runtime: 97
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.
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"B" Camera Operator:
Robert Beck
ADR Editor:
Adrian Sandu-Yota
ADR Mixer:
Jeff Hinton
Matthew Kallen
Michael McDade
Oliver Vorderbruegge
Sam Auguste
Dean St. John
Mark Appleby
Rodrigo Galvan
ADR Voice Casting:
Phoebe Scholfield
Additional Editing:
Andrew Hafitz
Art Department Assistant:
Emily Beswarick
Art Direction:
Caterina Vanzi
Assistant Set Decoration:
Anna Souter
Associate Producer:
Anya Ryzhenkova
Best Boy Lighting Technician:
Jan Sykes
Boom Operator:
Justin Wilkinson
Camera Trainee:
Josh Haigherty
Carpenter:
Craig McChesney
Casting:
Paul Schnee
Kerry Barden
Colin Jones
Casting Associate:
Rachel Goldman
Roya Semnanian
Marta Noguera
Co-Producer:
Simon Moseley
Carol Bidault de L'Isle
Colorist:
Matthew Troughton
Construction Manager:
James Waddingham
Costume Designer:
Hannah Edwards
Dialogue Editor:
Adrian Sandu-Yota
Digital Imaging Technician:
Dylan Evans
Director:
Mary Harron
Director of Photography:
Marcel Zyskind
Editor:
Alex Mackie
Executive Producer:
Marc Iserlis
Hannah Leader
Ben Kingsley
Jon Katz
Charlotte Colbert
Munkhtulga Od
Michael R. Newman
Philip Colbert
Paula Paizes
First Assistant "A" Camera:
Rami Bartholdy
First Assistant "B" Camera:
Danny Mendieta
First Assistant Director:
Davy Hughes
First Assistant Editor:
Victoria Bate
Foley Supervisor:
Alex Joseph
Gaffer:
Paul Sykes
Graphic Designer:
Bethaney Mills
Hair Designer:
Suzanne Stokes-Munton
Hair Supervisor:
Angela Oxley Evans
In Memory Of:
Edward R. Pressman
Key Grip:
Guy Smith
Lighting Technician:
Mike Mahon
Lewis Bolland
Location Assistant:
Stu Hamilton
Seamus Fitzgerald
Georgia Cheers-Aslanian
Location Manager:
Stephen Cheers
Makeup & Hair:
Natalia Leniartek
Caroline Rose
Makeup Designer:
Suzanne Stokes-Munton
Makeup Supervisor:
Angela Oxley Evans
Original Music Composer:
Edmund Butt
Petty Cash Buyer:
Alexandra Morton
Post Production Supervisor:
Jennifer Eriksson
Producer:
Daniel Brunt
Sam Pressman
David O. Sacks
Edward R. Pressman
Chris Curling
Production Accountant:
Richard Hyland
Production Coordinator:
Ali Coulson
Hannah Cross
Production Design:
Isona Rigau
Production Runner:
Elle Berry
Production Secretary:
Natasha Vincent
Property Master:
Jim Mate
Scott Howe
Script Supervisor:
Sharon Ranger
Second Assistant "A" Camera:
Jessica Oxley
Second Assistant "B" Camera:
Jessica Gowing
Second Assistant Director:
Guy Barker
Set Decoration:
Tanya Bowd
Set Dresser:
Frederick Duran-Sorda
Gareth Fox
Set Production Assistant:
Louis Reeves
Courtney Evans
Sound Designer:
Andrew Neil
Sound Effects Editor:
Frank Lipson
Sound Re-Recording Mixer:
Andrew Neil
Sound Recordist:
Gary Desmond
Special Effects Supervisor:
Paul Chandler
Tony Hensall
Standby Art Director:
Tony Boffey
Standby Property Master:
Yvonne Lloyd
Amy Richardson
Steadicam Operator:
Robert Beck
Stunt Coordinator:
Andy Merchant
Gary Kane
Stunt Double:
Gary Kane
David Newton
Heather Phillips
Supervising Sound Editor:
Richard Kondal
Third Assistant Director:
Emily Prieditis
Unit Manager:
Tom Holt
VFX Artist:
Maksym Poda
George Isaakian
Antoni Zakheos
Domantas Lukosius
Artem Isaakyan
Mark Yfantidis
Visual Effects Producer:
Dasha Sherman
Visual Effects Supervisor:
Menelaos Pampoukidis
Wardrobe Supervisor:
Jo Thompson
Writer:
Mary Harron
John C. Walsh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.