A work in constant progress (and occasional regress).
Release Date:
April 23, 1976
Original Title:
Stay Hungry
Alternate Titles:
A fuerza de músculos
El gran guardaespaldas
Mr. Universum
O Guarda-costas
Un autentico campione
Genres:
Comedy | Drama
Production Companies:
Outov Productions
United Artists
Production Countries:
United States of America
Ratings / Certifications:
CH: 16 DE: 12
Runtime: 102
A dishonest businessman asks rich layabout Craig Blake to help him buy a gym, which will be demolished for a development project in Alabama. But after spending time with weightlifter Joe Santo and gym worker Mary Tate Farnsworth, Craig wants out of the deal. The property negotiations turn ugly, causing a brawl at the gym and a spectacle at a big bodybuilding meet, as Craig learns that it's not easy to turn your back on fair-weather friends.
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Assistant Camera:
Jack Brown
Lou Noto
Assistant Director:
Michael Haley
Assistant Director Trainee:
Louis Race
Assistant Editor:
Marty Spiro
Assistant Sound Editor:
Samuel C. Crutcher
Camera Operator:
Robert C. Thomas
Casting:
Dianne Crittenden
Construction Coordinator:
Ed Shanley
Costume Supervisor:
G. Tony Scarano
Director:
Bob Rafelson
Director of Photography:
Victor J. Kemper
Editor:
John F. Link
Graphic Designer:
Paul Pascarella
Key Grip:
Fred Richter
Location Casting:
Barbara Evans
Makeup Artist:
Bob Westmoreland
Music Editor:
Dan Carlin Sr.
Novel:
Charles Gaines
Original Music Composer:
Bruce Langhorne
Byron Berline
Producer:
Harold Schneider
Bob Rafelson
Production Design:
Toby Carr Rafelson
Scenic Artist:
George Lillie
Screenplay:
Bob Rafelson
Charles Gaines
Second Assistant Director:
Alan Hopkins
Set Decoration:
Robert Gould
Sound:
Michael Galloway
Sound Effects:
Sam F. Shaw
Sound Mixer:
Barry Thomas
Sound Re-Recording Mixer:
Richard Portman
Don MacDougall
Still Photographer:
Jim Coe
Wardrobe Master:
Nancy McArdle
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.