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Sorry We Missed You (2019) [N/A]

Release Date:
October 4, 2019

Original Title:
Sorry We Missed You

Alternate Titles:
Désolé de vous avoir manqué
Kahjuks ei olnud teid kohal
Você não Estava Aqui
对不起，错过你
抱歉我们错过你了
미안해요, 리키
쏘리 위 미스드 유

Genres:
Drama

Production Companies:
BBC Film
France 2 Cinéma
Les Films du Fleuve
Sixteen Films
Why Not Productions
Wild Bunch

Production Countries:
Belgium | France | United Kingdom

Ratings / Certifications:
BE: 14  CH: 12  DE: 12  DK: 15  FI: K-12  FR: U  GB: 15  HK: IIB  IE: 15A  JP: G  KR: 12  NL: 12  NO: 15  RU: 16+  SE: 15  SK: 15 

Runtime: 101

Overview from TheMovieDB

Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.

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Additional information:

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Performers

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Production

Art Department Assistant:
Ruby Alexandra Hirst
Julie Bemment

Art Direction:
Julie Ann Horan

Assistant Art Director:
Zoe Robinson

Assistant Editor:
Rachel Durance

Assistant Production Manager:
Adrienne D'Anna

Associate Producer:
Jack Thomas-O'Brien

Boom Operator:
Conor McAleese

Camera Operator:
Sarah Cunningham

Casting:
Kahleen Crawford

Casting Assistant:
Marianne Lynch

Casting Associate:
Caroline Stewart

Clapper Loader:
Thibault Walckiers
Alexandre Cabanne

Costume Design:
Jo Slater

Dailies Technician:
Max Graham

Dialogue Editor:
Ben Brazier

Director:
Ken Loach

Director of Photography:
Robbie Ryan

Dolly Grip:
Bob Dixon

Editor:
Jonathan Morris

Electrician:
François Tiberghien
Antoine Doyen

Executive Producer:
Pascal Caucheteux
Grégoire Sorlat
Vincent Maraval

First Assistant Director:
David Gilchrist

Floor Runner:
Callum Johnson

Focus Puller:
Andrew O'Reilly

Foley:
Ian Wilkinson
Rowena Wilkinson
Mike Grimes

Gaffer:
Laurent Van Eijs

Hair Designer:
Anita Brolly

Line Producer:
Eimhear McMahon

Location Assistant:
Stuart Wharton

Location Manager:
Mark Gales

Makeup Designer:
Anita Brolly

Negative Cutter:
Steve Farman

Online Editor:
Justin Tillett

Original Music Composer:
George Fenton

Producer:
Rebecca O'Brien

Production Accountant:
Habib Rahman

Production Coordinator:
Shona Mackenzie

Production Design:
Fergus Clegg

Property Buyer:
Craig Menzies

Property Master:
Paul Campbell

Props:
Campbell Mitchell

Script Supervisor:
Susanna Lenton

Second Assistant Director:
Jamie Hamer

Sound Editor:
Kevin Brazier

Sound Effects Editor:
Robert Brazier

Sound Mixer:
Ray Beckett

Sound Re-Recording Mixer:
Ian Tapp
Andrew Caller

Still Photographer:
Joss Barratt

Stunt Coordinator:
Paul Heasman

Stunts:
Jamie Edgell
Seon Rogers
Andy Godbold

Telecine Colorist:
Hannes Bruneel

Third Assistant Director:
La' Toyah McDonald

Unit Manager:
Dave Gales

Wardrobe Supervisor:
Sarah-Kate Goodwin

Writer:
Paul Laverty

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.